Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
General
Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
Japanese literature -- To 1868
The above system of scripts is known as Manyôgaki and is sometimes
imitated in modern productions as in a recently published play now
before me.
Texts preserved in such scripts could not fail to be corrupt or obscure
in parts. Not only from the difficulty of reading the ideographs when
these came to be translated into _kana_, but from the fact that the
manuscripts were often in _cursive_ character, easily misread and
miswritten by the copyists. The text of the Manyôshiu I have used is
throughout that of the Kogi, but I have not omitted in the notes to
the translations to give some attention to the various readings cited
in that work. By far the best discussion of these seems to be that
of Keichiu which with the Kogi is much superior in my opinion to the
commentary of either Mabuchi or Motowori[6]--the latter especially
appears to be lacking in critical acumen.
The following additional remarks on the script are important. According
to Amano Nobukage (died 1734), in the Manyô script the Chinese
characters are read _japonicé_ in four ways:--
1. _mana_, as 心 _kokoro_ (heart, mind, &c.), where single characters
are read as true Japanese words.
2. Where combined characters are read true, as 春霞 _harukasumi_
(spring-mist); 秋風 _aki-kaze_ (autumn-wind).
3. Where combined characters are read in full, but the meaning of
the whole is not the sum of the meanings of the parts, as 垣津{旗}
_kakitsubata_ (Iris laevigata)--the characters separately mean--_kaki_
(fence), _tsu_ (place), _hata_ (flag).
4. Where combined characters are read together as a whole, as 春鳥
_uguhisu_ (Cettia cantans), lit. spring-bird; 三五夜 _mochidzuki_
(full-moon), lit. three-five-night = fifteenth night of a lunar month,
when the moon is full.
To these categories must be added that of humorous combinations, thus
十六 (sixteen) = _shi shi_ (4 × 4), and is used for _shishi_ (flesh);
靑頭鷄 _kamo_ (wild-duck), lit. green-head-fowl.
In the Kogi text the characters are used in the following modes, all of
which are fully illustrated by examples in a section of the _sōron_ or
General Introduction to the Edition.
A. According to the _on_ or Chinese sound (Japano-Chinese).
1. Full, as 阿 _a_, 伊 _i_; so in Chinese.
2. Contracted, as 安 _a_, 印 _i_; in Chinese _an_, _in_.
B. According to the _kun_ (_yomi_) or Japanese reading.
1. 天 _ame_ (heaven), 地 _tsuchi_ (earth), 大地 _ohotokoro_ (great
place). Each character is here read with one of its ordinary
Japanese pronunciations and meanings.
2. Combined characters of similar meaning read as one word
(Japanese)--明淸 _akirakeku_ (bright).
3. Combined characters of different meaning read as one
word--海士 _ama_ (fisherman), 蜻蛉 _akitsu_ [or _seirei_]
(dragon-fly).
4. The characters are read as = a Chinese translation of the
Japanese word--行知所 _shiroshimeshi_ (govern).
5. The character or combination is read according to an ancient
meaning--不知 _isa_ (no, not so), 服 _hada_ (naked skin).
Public-domain text, read in full here on John Shaqi.
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