Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
A vote of confidence passed in favour of the speaker’s integrity and
ability closed the proceedings. Before the Assembly broke up, it was
announced, amid loud applause, that the Ape, Parroquet, and Village
Cock would enter at once on their duties as Editors in Chief of the
“Public and Private Lives of Animals,” and that the work would open
with the “History of a Hare.”
[Illustration]
{13}
[Illustration]
HISTORY OF A HARE.
_WRITTEN FROM DICTATION BY THE MAGPIE._
CHAPTER I.
In which the Magpie begins.—Some preliminary reflections by the
Author of this history.—The Hare is made prisoner.—The Hare’s theory
of courage.
One day last week, as I stood on the branch of an old tree,
meditating on the closing lines of a poem I was about to dedicate to
my race, my attention was arrested by a Leveret running at full speed
across a field. He turned out to be a personal friend of my own,
great-grandson of the hero of this tale.
“Mr. Magpie,” he cried, quite out of breath, “grandfather lies yonder
in a corner of the wood. He sent me to call you.”
“Good child,” I said, while I patted his cheek with my wing, “go your
grandfather’s errands, but do not run so fast, else you will come to
an untimely end.”
“Ah!” he replied, sadly, “love feels no fatigue. But come to one who
needs your counsel. My grandfather is ill, bitten by the keeper’s
dog.”
Repairing at once to the scene of the disaster, I found my old
friend suffering intense pain from a wound in his right foot, which
he carried slung in a willow-band. His head was also bandaged with
soothing leaves brought by a neighbourly Deer.
Blood still flowed, affording fresh testimony of man’s tyranny.
“My dear Magpie,” said the venerable sufferer, whose face, although
grave even to sadness, had lost nothing of its original simplicity,
“our lot in this world is, at best, an unhappy one.”
“Alas!” I replied, “we encounter fresh tokens of our misery every
day.” {14}
“I know,” he continued, “that one ought always to be on one’s guard,
and that the Hare is never certain to die peacefully in his form.
The campaign begins badly. Here am I, perhaps blind of an eye, and
certainly lamed so that a Spaniel might easily outrun me. Worse than
all, I am told the shooting begins in a fortnight. I must therefore
put my affairs in order, and leave the history of a short, but not
uneventful life, to posterity to profit by. When mingling in the
society of the world, one is constrained to observe a polite and
prudent silence, and to disguise one’s true sentiments. But in
prospect of death, brought face to face with the last enemy, one can
never hope to win his clemency by polished lying and hypocrisy. My
tale will therefore be unreserved and true. Besides, in bequeathing a
valuable history to posterity there is a satisfaction in feeling that
one’s influence will live, and prove a real power in the world long
after the author’s death.”
Public-domain text, read in full here on John Shaqi.
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