REASON, or the Rational Imagination, does not appeal directly to the emotions. It serves the uses of life by enabling us to imagine what we have not yet experienced but may have to experience, and the quality aimed at is accuracy of intellectual ideation, not emotional pleasure. It is found by experience that an intellect well furnished with ideas may learn to combine them into pictures or preconceptions of the future, and the indirect utility of this accomplishment is very great. If it does not, like art, give immediate sentimental pleasure, it often enables us so to control events that we are brought into conditions affording more lasting satisfaction than many expensive works of art. Reason, then, is the imaginative faculty applied to the purpose of acquiring ideas of experience that has not yet taken place, and it is good in proportion to the similarity of the idea to the anticipated or unknown experience. Although imagination is more important than generalisation, it has received little attention from metaphysicians. Their treatment of it is not uniform, but it generally exhibits two fundamental defects. They consider it an independent or ultimate faculty, that is, one incapable of resolution into anything more simple. We have seen that it is an application of comparison, and comparison depends on the coincidence of particular ideas. Then they regard imagination only in its artistic uses, not perceiving that it is also the basis of reason. Reason they treat as generalisation--a vice that pervades all their systems. They put reason and art in essential opposition, whereas the difference between them is only specific--a difference of use. Some metaphysicians confound imagination with mere recollection. 'It is,' says one of them, 'the faculty representative of the phenomena both of the external and internal worlds.' But there is a great difference between the representation of what we have experienced actually, and the representation of a future and perhaps impossible event: the latter only is imaginative. 'There is no train of ideas,' says another, 'to which the term imagination may not be applied.' If a man at the end of the day calls to mind all the events of the day in a train of ideas, that is recollection, and would be very inappropriately termed imagination. According to a third, imagination has for its object the concrete as opposed to abstractions and generalities. This also is inexact. A traveller may describe in general the qualities of a foreign country or tribe of men, and we shall imagine that generality without a concrete picture. The power of imagining generalities and abstractions necessarily follows from the power of forming them in the first instance. DIALECTIC XVII--ITS SCOPE