People said that Slav blood flowed in her veins, and that it was that which gave the sweet radiance to her deep-blue eyes and the night of her raven hair. Klaus Heinrich was like her, so he heard people say, in that he too had steel-blue eyes with dark hair, while Albrecht and Ditlinde were fair, just as papa had been before his hair turned grey. But he was far from handsome, owing to the breadth of his cheek-bones, and especially to his left hand, which mamma was always reminding him to hide adroitly, in the side-pocket of his coat, behind his back, or under the breast of his jacket--especially when his affectionate impulses prompted him to throw both his arms round her. Her look was cold when she bade him mind his hand. He saw her as she was in the picture in the Marble Hall: in a short silk dress with lace flounces and long gloves, which showed only a glimpse of her ivory arm under her puffed sleeves, a diadem in the night of her hair, her stately form erect, a smile of cool perfection on her strangely hard lips--and behind her the metallic-blue wheel of a peacock's tail. Her face was soft, but its beauty made it stern, and it was easy to see that her heart too was stern and absorbed in her beauty. She slept far into the day when a ball or party was in prospect, and ate only yolks of eggs, so as not to overload herself. Then in the evening she was radiant as she walked on papa's arm along the prescribed path through the halls--grey-haired dignitaries blushed when they were addressed by her, and the _Courier_ reported that it was not only because of her exalted rank that her Royal Highness had been the queen of the ball. Yes, people felt happier for the sight of her, whether it was at the Court or outside in the streets, or in the afternoon driving or riding in the park--and their cheeks kindled. Flowers and cheers met her, all hearts went out to her, and it was clear that the people in cheering her were cheering themselves, and that their glad cries meant that they were cheered and elevated by the sight of her. But Klaus Heinrich knew well that mamma had spent long, anxious hours on her beauty, that there was practice and method in her smiles and greetings, and that her own pulse beat never the quicker for anything or anyone.