Sappho and her influenceRobinson, David M. (David Moore)
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Sappho and her influence
Robinson, David M. (David Moore)
Sappho -- Influence
There is an intimate love of the loveliness of nature in Sappho, as we
should expect of one resident on an island under Ionian skies where, as
Herodotus (I. 142) says, “the climate and seasons are the most beautiful
of any cities in the world.” “The many garlanded earth puts on her
broidery” (E. 133). “Thus of old did the dainty feet of Cretan maidens
dance pat to the music beside some lovely altar, pressing the soft smooth
bloom of the grass” (E. 114). As Thomas Davidson has so well said: “every
hour of the day comes to Sappho with a fresh surprise.” We lie down for a
noonday siesta in “a murmurous, blossomy June,” as Stebbing puts it, in
the orchard of the nymphs where (E. 4),
around
Through boughs of the apple
Cool waters sound.
From the rustling leaves
Drips sleep to the ground.
(Unpublished, RHYS CARPENTER)[82]
In the Greek, as Edwin Cox says, “the sound of the words, the repetition
of long vowels particularly omega, the poetic imagery of the whole and
the drowsy cadence of the last two words give this fragment a combination
of qualities probably not surpassed in any language.” The beautiful
verses about the pippin on the topmost branch we shall quote below. In
another fragment (E. 3) Sappho sees the stars in a way which Tennyson
echoes when he writes: “As when in heaven the stars about the moon Look
beautiful.” Or again Sappho’s love of nature appears in the line (E.
112): “the moon rose full and the maidens took their stand about the
altar.” In the new _Ode to Atthis_ the moon is not silver (as in E. 3)
but rosy-fingered: “after sunset the rosy-fingered moon beside the stars
that are about her, when she spreads her light o’er briny sea and eke
o’er flowery field, while the dew lies so fair on the ground and the
roses revive and the dainty anthrysc and the melilot with all its blooms”
(E. 86). Recently (1922) A. C. Benson in _The Reed of Pan_ has combined
fragment (E. 3) with the beautiful half stanza quoted above, under the
title _Moonrise_:
The moon high-hung in the hollow night
Resistless pours her silver tide;
Swift, swift the stars withdraw their light,
And their diminished glories hide.
And where cool streams through reed-beds slip,
The breeze through the orchard alley stirs,
And slumber well-nigh seems to drip
From the dark arms of dusky firs.
Public-domain text, read in full here on John Shaqi.
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