Science and poetryRichards, I. A. (Ivor Armstrong)
History
Science and poetry
Richards, I. A. (Ivor Armstrong)
English poetry -- 20th century -- History and criticism; Poetry
Why this should happen is still somewhat of a mystery. An
extraordinarily intricate concourse of impulses brings the words
together. Then in another mind the affair in part reverses itself, the
words bring into being a similar concourse of impulses. The words
which seem to be the effect of the experience in the first instance,
seem to become the cause of a similar experience in the second. A very
odd thing to happen, not exactly paralleled outside communication. But
this description is not quite accurate. The words, as we have seen,
are not simply the effect in one case, nor the cause in the other. In
both cases they are the part of the experience which binds it together,
which gives it a definite structure and keeps it from being a mere
welter of disconnected impulses. They are _the key_, to borrow a useful
metaphor from McDougall, for this particular combination of impulses.
So regarded it is less strange that what the poet wrote should
reproduce his experience in the mind of the reader.
III. What is Valuable
Enough perhaps as to the kind of thing a poem is, as to the general
structure of these experiences. Let us now turn to the further
questions ‘Of what use is it?’ ‘Why and how is it valuable?’
The first point to be made is that poetic experiences are valuable
(when they are) in the same ways as any other experiences. They are to
be judged by the same standards. What are these?
Extraordinarily diverse views have been held upon this point. Very
naturally, since such very different ideas have been entertained
as to what kind of thing an experience is. For our opinions as to
the differences between good and bad experiences depend inevitably
upon what we take an experience to be. As fashions have changed
in psychology men’s ethical theories have followed suit. When a
created, simple and eternal soul was the pivotal point, Good was
conformity with the will of the creator, Evil was rebellion. When the
associationist psychologists substituted a swarm of sensations and
images for the soul, Good became pleasure and Evil became pain, and so
on. A long chapter of the history of opinions has still to be written
tracing these changes. Now that the mind is seen to be a hierarchy of
interests, what will for this account be the difference between Good
and Evil?
It is the difference between free and wasteful organization, between
fullness and narrowness of life. For if the mind is a system of
interests, and if an experience is their play, the worth of any
experience is a matter of the degree to which the mind, through this
experience attains a complete equilibrium.
This is a first approximation. It needs qualifying and expanding if
it is to become a satisfactory theory. Let us see how some of these
amendments would run.
Public-domain text, read in full here on John Shaqi.
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