Science and poetryRichards, I. A. (Ivor Armstrong)
History
Science and poetry
Richards, I. A. (Ivor Armstrong)
English poetry -- 20th century -- History and criticism; Poetry
Statements true and false alike do of course constantly touch off
attitudes and action. Our daily practical existence is largely
guided by them. On the whole true statements are of more service to
us than false ones. None the less we do not and, at present, cannot
order our emotions and attitudes by true statements alone. Nor is
there any probability that we ever shall contrive to do so. This
is one of the great new dangers to which civilisation is exposed.
Countless pseudo-statements--about God, about the universe, about human
nature, the relations of mind to mind, about the soul, its rank and
destiny--pseudo-statements which are pivotal points in the organization
of the mind, vital to its well-being, have suddenly become, for
sincere, honest and informal minds, impossible to believe. For
centuries they have been believed; now they are gone, irrecoverably;
and the knowledge which has killed them is not of a kind upon which an
equally fine organization of the mind can be based.
This is the contemporary situation. The remedy, since there is no
prospect of our gaining adequate knowledge, and since indeed it
is fairly clear that genuine knowledge cannot serve us here and
can only increase our practical control of Nature, is to cut our
pseudo-statements free from belief, and yet retain them, in this
released state, as the main instruments by which we order our attitudes
to one another and to the world. Not so desperate a remedy as may
appear, for poetry conclusively shows that even the most important
among our attitudes can be aroused and maintained without any belief
entering in at all. Those of Tragedy, for example. We need no
beliefs, and indeed we must have none, if we are to read _King Lear_.
Pseudo-statements to which we attach no belief and statements proper
such as science provides cannot conflict. It is only when we introduce
illicit beliefs into poetry that danger arises. To do so is from this
point of view a profanation of poetry.
Yet an important branch of criticism which has attracted the best
talents from prehistoric times until to-day consists of the endeavour
to persuade men that the functions of science and poetry are identical,
or that the one is a ‘higher form’ of the other, or that they conflict
and we must choose between them.
Public-domain text, read in full here on John Shaqi.
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