Very different in character, but of equal merit, is the small statue,
silver painted, of St. George in the Audiencia Chapel at Barcelona. M.
Marcel Dieulafoy believes that we owe this fine work to a native
artist. The figure, standing fully armed, is carved with youthful
energy; the face, seen under the gilt visor, has lost none of its
freshness, and the original tints of colouring remain. The armour is of
oxidised silver, while the hinges, nails, belt, dragon, and pedestal are
of burnished gilt. Of this statue M. Marcel Dieulafoy writes: “Had
Meissonier painted the figure he could not have done it otherwise.”
Again we have a triumph of polychrome.
Other statues worthy of special mention are the busts, executed in
enamelled silver, of S. Valerius, S. Vincent, and S. Laurent, in the
Treasury of Zaragoza Cathedral; the figures of Don Gutierre de Cardenas,
Duke of Magueda, and of his wife, Doña Teresa Enriquez, each offering
respectively their son and daughter to the Virgin, and the finer praying
figure of Juan II. of Castile, who ruled from 1406 to 1454, and was the
father of Isabella the Catholic. These statues are in Burgos Cathedral.
Gems among smaller works of art are the plates in silver, showing scenes
in the life of the Virgin, which cover the high altar in the Cathedral
of Gerona. Their date is 1348.
CHAPTER V
THE ALTAR-SCREENS OR RETABLOS OF THE ROMANESQUE AND GOTHIC PERIODS
The altar-screens, of great size, and known in Spain as retablos, which
meet us in every church may be considered as the most entirely
characteristic expression of the country’s art. Nowhere has the
development of the altar-screen assumed such importance. The huge
retablos of Spain stand alone both in their dimensions and in their
magnificence. In these works were joined the common efforts of the
architect, the sculptor, and the painter. Of a size and with a wealth of
decoration so great that often an examination of their detail is
fatiguing, they represent the most exhaustive examples of the creative
thought and power of representation of the native artists.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account