What are the faculties and attributes essential to great success in
acting? A sumptuous and supple figure that can realise the ideals of
statuary; a mobile countenance that can strongly and unerringly express
the feelings of the heart and the workings of the mind; eyes that can
awe with the majesty or startle with the terror or thrill with the
tenderness of their soul-subduing gaze; a voice, deep, clear, resonant,
flexible, that can range over the wide compass of emotion and carry its
meaning in varying music to every ear and every heart; intellect to
shape the purposes and control the means of mimetic art; deep knowledge
of human nature; delicate intuitions; the skill to listen as well as
the art to speak; imagination to grasp the ideal of a character in all
its conditions of experience; the instinct of the sculptor to give it
form, of the painter to give it colour, and of the poet to give it
movement; and, back of all, the temperament of genius--the genialised
nervous system--to impart to the whole artistic structure the thrill of
spiritual vitality. Mary Anderson's acting revealed those faculties and
attributes, and those observers who realised the poetic spirit, the
moral majesty, and the isolation of mind that she continually suggested
felt that she was an extraordinary woman. Such moments in her acting as
that of Galatea's mute supplication at the last of earthly life, that of
Juliet's desolation after the final midnight parting with the last human
creature whom she may ever behold, and that of Hermione's despair when
she covers her face and falls as if stricken dead, were the eloquent
denotements of power, and in those and such as those--with which her art
abounded--was the fulfilment of every hope that her acting inspired and
the vindication of every encomium that it received.
Early in her professional career, when considering her acting, the
present essayist quoted as applicable to her those lovely lines by
Wordsworth:--
"The stars of midnight shall be dear
To her, and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face."
Public-domain text, read in full here on John Shaqi.
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