French fiction -- Translations into English; Short stories, French -- Translations into English
Alphonse Daudet was--especially in youth--the exponent of the south,
the south as typified by his native Provence. His was the rich,
effusive, impressionable southland nature--abundantly moved upon by
all the southern charm and vivacity and naïveté and life, as well as
richly gifted in the ability to reproduce those impressions in the
pages of his writings. Then what more natural than that he should both
personally and in his fiction embody the vivid life of the carefree
land? When, in 1869, his first important volume of collected stories
appeared, it was seen that into _Letters from My Mill_--which
included “The Pope’s Mule”--Daudet had poured not only the young
unspoiled richness of his own buoyancy, but also the fulness of his
feeling for local landscapes, traditions, and characters of town and
country. And again and again, even in his later work, Daudet reverts
to the scenes of his boyhood life, and gives us pictures--now jocund
as the wine of the country, now sad as a poet’s wail--whose tone and
spirit are of the Provençal life, all delicately set in the atmosphere
of that sunny clime.
In the _History of My Books_, which forms an integral part of the
author’s _Thirty Years in Paris_, he takes us by the hand in his
dear, intimate way and shows us the great white house, the ancient and
unique manor of Montauban. Near by, its shattered wings swaying in
the wind on the summit of a little pine-clad mountain, stands _Mon
Moulin_--the windmill about whose dusty portals for centuries had
gathered the quaint characters of the district, and where, now that
its traffic was forever departed, the young Alphonse first began to
distinguish man from man in the stories told him by the ancients of the
province.
“Excellent people, blessed house!” he writes. “How often have I
repaired thither in the winter to recuperate in the embrace of nature,
to heal myself of Paris and its fevers in the wholesome emanations of
our little Provençal hills.”
The greetings of old friends at an end, he would whistle to Miracle, a
venerable spaniel some fisherman had once found on a bit of wreckage at
sea, and climb up to his mill, there to browse and dream and wander in
fancy whithersoever the spirits of the place should beckon.
Public-domain text, read in full here on John Shaqi.
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