Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
Tomsky says that he can understand Herman’s being economical, but
that he cannot understand why his own grandmother, the Countess Anna
Fedorovna, should not play, for, although she is eighty years of age,
she knows a secret which makes winning at faro certain. Tomsky then
goes on to relate how the old woman secured the secret from a friend
of hers in order to save her from the disastrous results of enormous
losses in cards. The secret consists of choosing three certain cards in
succession. This plan she followed, winning every time, and was soon
out of debt.
Being in need of funds, Herman is impressed with the story, and begins
to haunt the outside of the aged Countess’s home. In order to gain
admission and learn the secret, he contrives to flirt with Lisaveta
Ivanovna, the Countess’s ward, who at length arranges a way in which he
can gain admission to the house while the family are attending a ball.
He is to pass through the Countess’s apartments and await the girl in
her sitting-room, but instead of doing this the young officer secretes
himself in the apartments of the Countess. After she is in bed he
emerges and demands the names of the three cards, placing a pistol at
her brow, but assuring her that he means no harm if she will do as he
asks. She tremblingly tells him that it was only a jest, that there is
nothing in the report of her knowledge, but Herman insists, and after a
short time he grasps her arm roughly and is about to renew his threats
when he finds that she is dead.
Presently Herman makes his way to Lisaveta’s apartment, where he tells
her all. She realizes that she is not loved, and discerns the true
reason why the young man has sought her acquaintance. However, she
helps him to get out of the house safely.
The next night he drinks heavily and throws himself on his bed without
undressing. During the night he awakes with a start and sees looking
in at the window some one who quickly disappears. Presently he hears
the shuffling of loose slippers, the door of his room opens, and a
woman in white enters. As she comes close to his bed, the terrified man
recognizes the Countess. “I have come to you against my will,” she says
abruptly, “but I was commanded to grant your request. The trey, the
seven, and the ace are the magic cards. Twenty-four hours must elapse
after the use of each card, and after the three have been used you must
never play again.”
The phantom then turns and walks away.
The next night he enters a fashionable gambling club in St. Petersburg,
stakes forty thousand rubles, and wins a huge sum. The next night he
chooses a seven-spot and wins ninety-four thousand rubles.
The following evening he went again. His appearance was the
signal for the cessation of all occupation, every one being
eager to watch the development of events. He selected his
card--an ace.
The dealing began: to the right, a queen; to the left, an ace.
Public-domain text, read in full here on John Shaqi.
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