Sister Dolorosa, and Posthumous FameAllen, James Lane
Religion
Sister Dolorosa, and Posthumous Fame
Allen, James Lane
Kentucky -- Social life and customs -- Fiction
Sleepless one night, he left the house after the old couple were asleep.
The moon was shining, and unconsciously following the bent of his
thoughts, he took the footpath that led across the fields. He passed the
spot where he had first met her, and, absorbed in recollection of the
scene, he walked on until before him the convent towered high in light
and shadow. He had reached the entrance to the long avenue of elms. He
traversed it, turned aside into the garden, and, following with many
pauses around its borders, lived over again the day when she had led him
through it. The mere sense of his greater physical nearness to her
enthralled him. All her words came back: "These are daffodils. They
bloomed in March, long ago.... And here are violets, which come in
April." After awhile, leaving the garden, he walked across the lawn to
the church and sat upon the steps, trying to look calmly at this whole
episode in his life, and to summon resolution to bring it to an end. He
dwelt particularly upon the hopelessness of his passion; he made himself
believe that if he could but learn that she were not ill and
suffering--if he could but see her once more, and be very sure--he would
go away, as every dictate of reason urged.
Across the lawn stood the convent building. There caught his eye the
faint glimmer of a light through a half-opened window, and while he
looked he saw two of the nuns moving about within. Was some one dying?
Was this light the taper of the dead? He tried to throw off a sudden
weight of gloomy apprehension, and resolutely got up and walked away;
but his purpose was formed not to leave until he had intelligence of
her.
One afternoon, a few days later, happening to come to an elevated point
of the landscape, he saw her figure moving across the fields in the
distance below him. Between the convent and the farm-house, in one of
the fields, there is a circular, basin-like depression; and it was here,
hidden from distant observation, with only the azure of the heavens
above them, that their meeting took place.
On the day when she had been his guide he had told her that he was going
away on the morrow, and as she walked along now it might have been seen
that she thought herself safe from intrusion. Her eyes were bent on the
dust of the pathway. One hand was passing bead by bead upward along her
rosary. Her veil was pushed back, so that between its black border and
the glistening whiteness of her forehead there ran, like a rippling band
of gold, the exposed edges of her shining hair. In the other hand she
bore a large cluster of chrysanthemums, whose snow-white petals and
green leaves formed a strong contrast with the crimson symbol that they
partly framed against her sable bosom.
Public-domain text, read in full here on John Shaqi.
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