Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and Notes — John Shaqi
Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and NotesChadwick, Nora K. (Nora Kershaw)
General
Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and Notes
Chadwick, Nora K. (Nora Kershaw)
Folk songs, Scandinavian; Old Norse literature -- Translations into English; Sagas
Rafn[2], in his edition of the _Fornaldarsˆgur_, based his text of the
_th·ttr_ on _A_; but subsequent examination has rendered it probable
that this MS. is hardly independent of _F_ which gives an earlier and
better text. As regards MSS. _F_ and _S_, the latter frequently gives
a better reading than the former[3]. For this reason it was followed
by Bugge[4] who believed it to be the better source. Wilken[5] however
held that _F_ represents the 'Vulgate' of the _th·ttr_, while _S_
gives a corrected and edited version. In his edition, therefore, he
chiefly followed _F_, though he made use of _S_ throughout, and also
(for the poems) the _Codex Regius_ of the Older Edda. His example has
been followed by later editors, including Valdimar ¡smundarson[6],
from whose version the following translation has been made. The
differences between all three MSS. appear to be very slight, but
¡smundarson's edition approximates more closely to Wilken's than to
Rafn's. Indeed the variations between the texts of Wilken's second
edition[7] and ¡smundarson are negligible. For a full bibliography of
texts, translations, and literature relating to this saga the reader
is referred to _Islandica_, Vol. V, p. 32.
The saga itself dates from about 1300[8]. It is derived from
tradition, mainly Icelandic; but the various stories contained in
it differ greatly from one another in their historical value. This
episode is probably to be regarded as legendary in part; and it would
seem also to contain a good deal of conscious fiction.
The _th·ttr_ falls naturally into three parts. The framework of
the story--the arrival of Guest at the hall of Olaf Tryggvason, his
inclusion in the King's retinue, and his baptism--forms a whole in
itself and contains nothing inherently improbable save the manner of
his death, where the folk-tale element creeps in. The first 'story
within a story,' the account that Guest gives of his wanderings and
more especially of the adventures of Sigurth, is legendary--or perhaps
rather made up from old legends with the help of the _Edda_ poems. As
in the case of the Anglo-Saxon poem _Widsith_--and indeed to a much
greater extent--the persons who figure in the stranger's stories lived
in reality in widely different ages. Sigurth and his brothers-in-law
belong to the early part of the fifth century, Harold the Fairhaired
and the sons of Lothbrok to the latter part of the ninth century.
Other characters such as Guthmund of Glasisvellir who is mentioned in
the first chapters are probably mythical.
Public-domain text, read in full here on John Shaqi.
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