Jewish fiction; Jews -- Fiction; Peretz, Isaac Leib, 1851 or 1852-1915 -- Translations into English; Short stories
Just about then I lost all the companions with whom I used to play at
marbles in days gone by, and they were not replaced. One of them already
went out on Sabbath with a satin skirt and a watch and chain. It was
soon to be her wedding. Others were "Kallah-Mädlich";[13] match-makers
and future fathers-in-law were "breaking in the doors," and there was
combing and washing and dressing, when _I_ was still going barefoot, in
an old bodice and a short skirt and a faded cotton waist, which had
burst in several places right in front, and which I had patched with
calico of a different color. The "Kallah-Mädlich" avoided me, and I was
ashamed to play with younger children; besides, marbles amused me no
longer. So I never showed myself in the street by day. Mother never sent
me out on errands, and one day when I intended to go somewhere, she
prevented me. I often used to slip out after dark, and walk about behind
the house near the barns, or else sit down beside the river.
In summer time, I sat there till quite late at night.
Some evenings, mother would come out after me. She never came up to me,
but would stand in the gateway, look round--and I could almost hear the
sigh she gave as she watched me in the distance.
That also came to an end in time; I would sit by myself there for hours,
listening to the noise of the little mill stream, watching the frogs
jump out of the grass into the water, or following a cloud through the
sky.
At times I would fall half asleep with my eyes open.
One evening I heard a melancholy song. The voice was young and fresh,
and yet the song thrilled me with emotion; it was a Jewish song.
"That is the Röfeh-boy singing," I said to myself. "Another would have
sung hymns, not a song."
I also said to myself that one should go indoors, so as not to hear it
or meet the Röfeh-boy, and yet I remained sitting; I was in a dreamy
state, with no energy to move, and I sat on, though my heart was beating
anxiously.
The song drew nearer; it was coming from the opposite bank--across the
bridge.
Already I hear steps in the sand, I want to run away, but my limbs are
disobedient, and I remain sitting.
At last he comes to the spot where I am.
"Is it you, Leah?"
I do not answer.
The noise in my ears is louder than ever, the hammering in my temples,
busier, and it seems to me the kindest and sweetest voice I ever heard.
My not answering matters little to him, he sits down beside me on the
log, and looks me straight in the face.
I do not _see_ his look, because I dare not raise my eyes, but I feel
how it is scorching me.
"You are a pretty girl, Leah," he says, "it's a pity to hide yourself."
A dreadful crying fit seizes hold of me, and I run away.
Public-domain text, read in full here on John Shaqi.
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