Jewish fiction; Jews -- Fiction; Peretz, Isaac Leib, 1851 or 1852-1915 -- Translations into English; Short stories
Bashe refuses to obey--the last light _must_ be father's.
She begins: "God bless fa--"
"Hush!" in a terrible voice. "Hush, hush! Your father is no longer a
Jew. He has become an official!"[19]
VII
THE WIDOW
The gray, swirling mists have rolled themselves together into one black
cloud. It is warm and stifling; it is going to pour with rain; a few
drops are falling already. The little house stands just under the hill.
The low, thatched roof is full of holes--there is no one to mend it.
The clouds have hidden the sun, and the remaining light is intercepted
by the hill.
Inside the hut it is nearly dark; it is late--night is falling.
In the corner, on the chimney-shelf, stands a little empty lamp, with a
cracked globe; the naphthaline is exhausted, there is no one to go and
buy more. It is closer indoors than out.
The fire-place is not empty, it boasts two or three broken earthenware
pots, a handful of ashes, a fragment of polished slate, a little iron
stand on legs, but not a spark of fire.
Outside the door lies a log of rotten wood; there is no one to chop it.
The owner of the hut lay sick for a whole year, and with every day of it
their little hoard of money grew less. He had saved for a child's sake,
"scraped together one hundred rubles, to be lent on interest." God gave
a little girl: "It shall be her marriage portion!"
But there came the illness.
The little hoard dwindled and dwindled, and the man's strength likewise.
The household goods were disposed of one after another; the last to go
was the sewing-machine, and with the last penny out of the bag the soul
departed out of the body.
The soiled shred of linen that held the money hangs across a glass of
water beside the soul-light.[20]
A small, tin trunk stands near the door; it belongs to the servant-girl,
who has just gone out to look for another situation.
The dismantled room is now all but dark; a few scattered wisps of straw
shimmer on the floor; a nail-head stares here and there out of the four
walls.
On the wall used to hang a looking-glass (it is not wanted now. If the
widow were to see her reflection, she would be terrified). A Chanukah
lamp (for whom should it be lighted?) and clothes used to hang there,
too. They came and took each his own before he died.
In one corner stands a cradle; in the cradle lies a child, asleep. On
the floor beside the cradle sits the newly-made widow.
The thin hands hang helpless, the heavy head rests on the cradle; the
eyes, which look as if they had wept themselves out, stare fixedly at
the ceiling.
You might suppose she was dead, that she neither felt nor remembered any
longer. Her heart scarcely beats, her strength has left her.
And yet one thought is revolving ceaselessly in her brain; no other
seems able to drive it away--it is not to be dislodged.
"Hannah," he had once said to her, "hand me the scissors."
He had no use for them just then, and he had given a little artful
smile. What had he really wanted?
Public-domain text, read in full here on John Shaqi.
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