Short stories, German -- Translations into English
I soon decided in my own mind that it should be my destiny, some time,
to delight the audience from the stage, but I was still undecided
whether I would devote myself to the drama or the opera, for it seemed
to me an equally desirable lot to shoot charmed bullets in "Der
Freischutz," or, hidden behind elderberry bushes, to shoot at
tyrannical Geslers in "William Tell." In the meantime I learned Tell's
monologue, "Along this narrow path the man must come," by heart, and
practised the aria, "Through the forest, through the meadows."
Providence seemed to favor my plan, for it led me into an acquaintance
with a certain Lipp, who, on account of his connections, was in a
position to pave my way to the stage.
Lipp was a tall, slender youth, about sixteen years old, with terribly
large feet and hands. He usually wore a very faded, light-blue coat,
the sleeves of which hardly came below his elbows, and a red vest. He
had a rather stooping gait, and a beaming smile continually played
about his mouth. Besides, the poor fellow was always hungry, and it was
this peculiarity which brought about our acquaintance.
On afternoons when there was no school, and I went out on the green to
play ball with my companions or fly my kite, Frau Eberlein used to put
something to eat in my pocket. Lipp soon spied it out, and he knew how
to get a part, or even the whole of my luncheon for himself. He would
pick up a pebble off the ground, slip it from one hand to the other
several times, then place one fist above the other, saying:
"This hand, or that?
Burned is the tail of the cat.
Which do you choose?
Upper or under will lose!"
If I said "upper," the stone was always in the lower hand, and vice
versa. And Lipp would take my apple from me with a smile, and devour it
as if he were half-famished.
Why did I allow it? In the first place because Lipp was beyond me in
years and in strength, and in the second place, because he was the son
of a very important personage. His father was nothing less than the
doorkeeper of the theatre; a splendid man with a shining red nose and
coal-black beard reaching to his waist. The wise reader now knows how
young Lipp came by a light-blue coat and red vest.
Public-domain text, read in full here on John Shaqi.
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