English poetry -- 20th century -- History and criticism
Music has come in again, in frequent and sometimes intricate rhyme; in
metrical lightness and variety; in a fuller and more harmonious
language. The spirit of this later work remains humanitarian, but it is
not concentrated now solely upon the tragic aspects of the workers'
lives. A wider range is taken, and comedy enters, with an accession of
urbanity from which characterization gains a mellower note. The world of
nature, too, banished for a time in the exclusive study of humanity,
returns to enrich this later poetry with a store of loving observation,
an intimate knowledge of wild creatures, and the refreshing sense of a
healthful open-air life in which, over a deep consciousness of sterner
things, plays a jolly comradeship with wind and weather.
_Ralph Hodgson_
The format of Mr Hodgson's published work is almost as interesting as
the poetry itself--and that is saying a good deal. For all of his poetry
that matters (there is an earlier, experimental volume which is not
notable) has been issued during the past two or three years in the form
of chapbook and broadside.
It was a new publishing venture, quietly launched _At the Sign of Flying
Fame_, and piloted now through the rapids of a larger success by the
Poetry Bookshop. In a sense, of course, it is not a new thing at all,
but a revival of the means by which ballad and romance were conveyed
into the hands of the people a couple of centuries ago. Yet it is no
imitation of a quaint style for the sake of its picturesqueness, nor the
haphazard choice of a vehicle unsuited either to the author or his
public, nor a mere bid for popular favour.
The peculiar interest of the revival lies in the fact that it is part of
the larger movement, the renascent spirit of poetry which has been
visibly stirring the face of the waters in these past few years. The
reappearance of the chapbook synchronized with that, and is closely
related with it. For it is found to be as well fitted to the form and
the content of the newest poetry as it is suited to the need of the
newest audience. On the one hand it brings to the freshly awakened
public a book which is cheap enough to acquire and small enough readily
to become a familiar possession of the mind. On the other hand, it is
suited perfectly to the simple themes and metrical effects of the work
hitherto published in this form; and is designed only to include small
poems of unquestioned excellence. Here may be perceived the more
important factors which go to the formation of literary taste; and while
one would estimate that the educational value of these little books is
therefore high, aptly meeting the need of the novice in poetry, it is
clear that the discriminating mind also is likely to find them
satisfying.
Public-domain text, read in full here on John Shaqi.
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