French fiction -- 20th century -- Translations into English
A vigorous, healthy nature like Annette's must create, perpetually
create, create with its whole being, body and spirit. Create, or else
brood over the creation that is to be. It is a necessity, and happiness
comes only through satisfying it. Every creative period has its own
limited field, and its rising force follows a trajectory that descends
again sharply. Annette had passed the summit of the curve. Nevertheless,
the transport of creation persists in the mother for a very long time
after childbirth. Suckling prolongs the transfusion of the blood, and
invisible bonds keep the two bodies in communication. The creative
abundance of the spirit of the infant compensates for the impoverishment
of the spirit of the mother. The river that is running out tries to
replenish itself from the stream that is flowing over. It becomes a
torrent so as to merge with the little torrent. But strive as it may,
the little one outruns it. The child was already withdrawing into the
distance. Annette had difficulty in following him.
Before he was able to frame a complete sentence he already had his
little hidden thoughts, cupboards of which he kept the keys. Heaven knew
what he concealed there: his reflexions on people, his scraps of
reasoning, odds and ends of images, sensations, play-words the sound of
which amused him, though he did not know what they meant, a singing
monologue that had no sequence, no end, no beginning. He was perfectly
well aware, perhaps not of what he was hiding, but that he was hiding
something. For the more one tried to find out what he was thinking, the
more mischievously he refused to let one know. He even amused himself
sometimes putting one off the track; with his little tongue, which was
as clumsy as his hands, as it stumbled about among the syllables, he was
already trying to lie, to mystify people. It was a pleasure to prove his
own importance to others and to himself by making fun of those who tried
to penetrate into his private domain. This scrap of a being, scarcely
born, had the fundamental instinct of the _mine_ that is not yours--of
"You shan't have any of my peanuts." His whole wealth lay in fragments
of thoughts: he built walls to hide them from his mother's eyes. And
she, with that lack of foresight which is common to all mothers, was
proud that he knew so well how to say the No with which he so early
manifested his personality. She haughtily proclaimed, "He has a will of
iron."
She thought she had forged this iron herself. But against whom?
Against herself, to begin with; for, in the eyes of this little ego, she
was the not-I, the external world, a habitable external world, of
course, warm, soft and milky, that one could exploit, that one wanted to
dominate. External to the I . . . I am not it. I possess it. But it does
not possess me!
Public-domain text, read in full here on John Shaqi.
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