French fiction -- 20th century -- Translations into English
were ill or not, if she did not see them she forgot them. She had no
time to think of the absent. She had no time to love very long. A
perpetual activity occupied all her moments: the care of her person,
housekeeping, meals, business, trying on dresses, gossip, love affairs,
amusements. And everything--even to the (never very long) periods of
silence, when, between the bustle of the day and her sleep at night, she
found herself alone face to face with herself--everything about her was
precise. Not a cranny for dreams. When she observed herself, it was with
the clear and curious eye that watches others and looks upon oneself as
a passer-by. A minimum of inner life: everything projected into acts and
words. The need that Annette felt for moral confession found no
consideration here. Annette was embarrassed in this perpetual midday. No
shadow. Or, if it existed--and it exists in every soul--the door was
closed tight upon it. Sylvie was not interested in what might be behind
the door. Her only concern was to administer her little domain
punctiliously, enjoying everything, her work and her pleasures, but
everything at its own time so that nothing should be lost; consequently,
she was without passions or any great excesses, for this activity, this
perpetual going from one thing to another, not only did not lend itself
to anything of the kind, but even destroyed its possibility in advance.
No danger that her lovers would make her lose her head.
The truth was that she did not love anything very much. She loved
whole-heartedly only one soul, Annette. And how strange this was! Why in
the world did she love this big girl who had nothing, or virtually
nothing, in common with her?
Ah, that "virtually nothing" was a great deal; who knows but that it was
the most important thing of all?--the tie of blood. This does not always
count for much between people of the same family. But when it does
count, what a mysterious strength it has! It is a voice that whispers to
us, "That other person is a part of me. Moulded in another shape, the
substance is the same. I recognize myself in a different form and
possessed by an alien soul."
And one wants to capture oneself in this usurper double attraction, a
triple attraction: the attraction of resemblance, the attraction of
opposition, of the war of conquest, which is not the least of the three.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account