French fiction -- Translations into English; Unrequited love -- Fiction
Can I avoid repeating in my own history, that of many others? I passed
through all the ordeals of the theatre. I "ate the drum and drank the
cymbal," according to the apparently meaningless phrase of the initiates
at Eleusis, which probably signifies that upon occasion we must stand
ready to pass the bounds of reason and absurdity; for me it meant to
win and possess my ideal.
Aurélie accepted the leading part in the play which I brought back from
Germany. I shall never forget the day she allowed me to read it to her.
The love scenes had been arranged expressly for her, and I am positive
that I rendered them with feeling. In the conversation that followed I
revealed myself as the "Unknown" of the two letters. She said: "You are
mad, but come again; I have never found anyone who knew how to love me."
Oh, woman! you seek for love ... but what of me?
In the days which followed I wrote probably the most eloquent and
touching letters that she ever received. Her answers were full of good
sense. Once she was moved, sent for me and confessed that it was hard
for her to break an attachment of long standing. "If you love me for
myself alone, then you will understand that I can belong to but one."
Two months later, I received an effusive letter which brought me to her
feet--in the meantime, someone volunteered an important piece of
information. The handsome young man whom I had met one night at the club
had just enlisted in the Turkish cavalry.
Races were held at Chantilly the next season, and the theatre troupe to
which Aurélie belonged gave a performance. Once in the country, the
company was for three days subject to the orders of the director. I had
made friends with this worthy man, formerly the Dorante of the comedies
of Marivaux and for a long time successful in lovers' parts. His latest
triumph was achieved in the play imitated from Schiller, when my
opera-glass had discovered all his wrinkles. He had fire, however, and
being thin, produced a good effect in the provinces. I accompanied the
troupe in the quality of poet, and persuaded the manager to give
performances at Senlis and Dammartin. He inclined to Compiègne at first,
but Aurélie was of my opinion. Next day, while arrangements with the
local authorities were in progress, I ordered horses and we set out on
the road to Commelle to breakfast at the castle of Queen Blanche.
Aurélie, on horseback, with her blonde hair floating in the wind, rode
through the forest like some queen of olden times, and the peasants were
dazzled by her appearance. Madame de _F_-----was the only woman they had
ever seen so imposing and so graceful. After breakfast we rode down to
the villages like Swiss hamlets where the waters of the Nonette turn the
busy saw-mills. These scenes, which my remembrance cherished, interested
Aurélie, but did not move her to delay. I had planned to conduct her to
the castle near Orry, where I had first seen Adrienne on the green. She
manifested no emotion.
Public-domain text, read in full here on John Shaqi.
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