By this, John had his hand upon the shutters, and flinging them back,
beheld once again the blessed face of the day. Even by that light the
room had a discomfortable air. The chairs were scattered, and one had
been overthrown; the table-cloth, laid as if for dinner, was twitched
upon one side, and some of the dishes had fallen to the floor. Behind
the table lay the drunkard, still unaroused, only one foot visible to
John.
But now that light was in the room, the worst seemed over; it was a
disgusting business, but not more than disgusting; and it was with no
great apprehension that John proceeded to make the circuit of the table:
his last comparatively tranquil moment for that day. No sooner had he
turned the corner, no sooner had his eyes alighted on the body, than he
gave a smothered, breathless cry, and fled out of the room and out of the
house.
It was not Alan who lay there, but a man well up in years, of stern
countenance and iron-grey locks; and it was no drunkard, for the body lay
in a black pool of blood, and the open eyes stared upon the ceiling.
To and fro walked John before the door. The extreme sharpness of the air
acted on his nerves like an astringent, and braced them swiftly.
Presently, he not relaxing in his disordered walk, the images began to
come clearer and stay longer in his fancy; and next the power of thought
came back to him, and the horror and danger of his situation rooted him
to the ground.
He grasped his forehead, and staring on one spot of gravel, pieced
together what he knew and what he suspected. Alan had murdered some one:
possibly ‘that man’ against whom the butler chained the door in Regent
Terrace; possibly another; some one at least: a human soul, whom it was
death to slay and whose blood lay spilled upon the floor. This was the
reason of the whisky drinking in the passage, of his unwillingness to
welcome John, of his strange behaviour and bewildered words; this was why
he had started at and harped upon the name of murder; this was why he had
stood and hearkened, or sat and covered his eyes, in the black night.
And now he was gone, now he had basely fled; and to all his perplexities
and dangers John stood heir.
‘Let me think—let me think,’ he said, aloud, impatiently, even
pleadingly, as if to some merciless interrupter. In the turmoil of his
wits, a thousand hints and hopes and threats and terrors dinning
continuously in his ears, he was like one plunged in the hubbub of a
crowd. How was he to remember—he, who had not a thought to spare—that he
was himself the author, as well as the theatre, of so much confusion?
But in hours of trial the junto of man’s nature is dissolved, and anarchy
succeeds.
Public-domain text, read in full here on John Shaqi.
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