Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
“Yassuh!” repeated Jumbo. “This yeah’s a sho-nuff license, and the
pa’ties concerned one of ’em is dis yeah young lady, Miz Betty Medill,
and th’ other’s Mistah Perry Pa’khurst.”
There was a general gasp, and a low rumble broke out as all eyes fell
on the camel. Betty shrank away from him quickly, her tawny eyes
giving out sparks of fury.
“Is you Mistah Pa’khurst, you camel?”
Perry made no answer. The crowd pressed up closer and stared at him.
He stood frozen rigid with embarrassment, his cardboard face still
hungry and sardonic as he regarded the ominous Jumbo.
“Y’all bettah speak up!” said Jumbo slowly, “this yeah’s a mighty
serious mattah. Outside mah duties at this club ah happens to be a
sho-nuff minister in the Firs’ Cullud Baptis’ Church. It done look to
me as though y’all is gone an’ got married.”
V
The scene that followed will go down forever in the annals of the
Tallyho Club. Stout matrons fainted, one hundred per cent Americans
swore, wild-eyed débutantes babbled in lightning groups instantly
formed and instantly dissolved, and a great buzz of chatter, virulent
yet oddly subdued, hummed through the chaotic ballroom. Feverish
youths swore they would kill Perry or Jumbo or themselves or some one,
and the Baptis’ preacheh was besieged by a tempestuous covey of
clamorous amateur lawyers, asking questions, making threats, demanding
precedents, ordering the bonds annulled, and especially trying to
ferret out any hint of prearrangement in what had occurred.
In the corner Mrs. Townsend was crying softly on the shoulder of Mr.
Howard Tate, who was trying vainly to comfort her; they were
exchanging “all my fault’s” volubly and voluminously. Outside on a
snow-covered walk Mr. Cyrus Medill, the Aluminum Man, was being paced
slowly up and down between two brawny charioteers, giving vent now to
a string of unrepeatables, now to wild pleadings that they’d just let
him get at Jumbo. He was facetiously attired for the evening as a wild
man of Borneo, and the most exacting stage-manager would have
acknowledged any improvement in casting the part to be quite
impossible.
Meanwhile the two principals held the real centre of the stage. Betty
Medill--or was it Betty Parkhurst?--storming furiously, was surrounded
by the plainer girls--the prettier ones were too busy talking about
her to pay much attention to her--and over on the other side of the
hall stood the camel, still intact except for his headpiece, which
dangled pathetically on his chest. Perry was earnestly engaged in
making protestations of his innocence to a ring of angry, puzzled men.
Every few minutes, just as he had apparently proved his case, some one
would mention the marriage certificate, and the inquisition would
begin again.
A girl named Marion Cloud, considered the second best belle of Toledo,
changed the gist of the situation by a remark she made to Betty.
“Well,” she said maliciously, “it’ll all blow over, dear. The courts
will annul it without question.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account