"I don't know what to say in that case," replied the lieutenant. "It's a cinch you're not giving away any military information and I can't see how you're giving, any aid and comfort to the enemy. I guess you can go on with that battle stuff. Make the bombardments just as hard as you like, but keep the casualties light." In contrast to the attitude of the veteran back in Ohio was a letter which a captain received from the mother of one of his men. "My son is only nineteen," she wrote. "He has never been away from home before and it breaks my heart that he should be in France. It may sound foolish but I want to ask you a favor. When he was a little boy I used to let him come into the kitchen and bake himself little cakes. I think he would remember some of that still. Can't you use him in the bakery or the kitchen or some place so he won't have to be put in the firing line or in the trenches? I will pray for you, captain, and I pray to God we may have peace for all the world soon." The captain read the letter and then he burned it up. "If the rest of the men in the company heard of that they would jolly the life out of that boy," he said. But he sat down and wrote to the mother, "Your boy is well and I think he is enjoying his work. I cannot promise to do what you ask because your son is one of the best soldiers in my company. We are all in this together and must share the dangers. I pray with you that there may be peace and victory soon." No complete story of America's part in the war will ever be written until somebody has made a collection and read thousands of the letters home. The doughboy is strangely inarticulate. He can't or he won't tell you how he felt when he first landed in France, or heard the big guns or went to the trenches. He is afraid to be caught in a sentimental pose but this fear leaves him when he writes. In his letters he will pose at times. This is not uncommon. Many a man who would never think of saving anything about "saving France" will write about it in rounded sentences. His deepest and frankest thoughts will come out in letters. Of course the censors stand between these makers of history and posterity. We must wait for our chronicles of the war because of the censor. The newspaper stories about our troops in France on their tremendous errand should ring like the chronicle of an old crusade, but it is hard for the chronicler to bring a tingle when he must write or cable "Richard the deleted hearted." When a censor wants to kill a story he usually says, "Don't you know that your story may possibly give information to the Germans?" The correspondent then withdraws his story in confusion. Of course what he should answer is, "Very well, that story may give information to the Germans, but it will also give information to the Americans and just now that is much more important."