The Alfred Jewel: An Historical Essay — John Shaqi
The Alfred Jewel: An Historical EssayEarle, John
History
The Alfred Jewel: An Historical Essay
Earle, John
Alfred, King of England, 849-899; Enamel and enameling; Great Britain -- History -- Alfred, 871-899
(3) The third movement to be noticed is that from the flexional to
the phrasal method of syntax. The word GEWYRCAN is a flexional verb,
the last syllable, -AN, being the sign of the infinitive mood, and
indicating the syntactical function of that word in the sentence. By
slow degrees this method of syntax fell out of use, and another way
came up of expressing the same function. Instead of the syllable -AN
at the end of the verb, a little word, ‘to,’ was set before the verb,
with the same effect of expressing the infinitive mood. If now we
add this change to the other modifications of our sentence, we shall
bring it considerably nearer to current speech, thus: ‘Alfred ordered
to make me.’ But still it wants something to reduce it into the shape
which we can recognize as modern English.
(4) The fourth and last change which we must note in the habits of our
speech is the great extension of the passive verb, and particularly
in the infinitive mood. Many infinitive phrases which were once cast
in the Active have been changed to the Passive, and a lingering
survival of the active formula may be observed to have a peculiar and
exceptional air. We feel this in the phrase, ‘The reason is not far to
seek.’ A more familiar example may be seen on the boards of the house
agents. Some of these boards say ‘House to let,’ while others prefer
‘House to be let,’—the one is homely and native English, the other is
modish and reminds us of the schoolmaster. The same authority will
guide us to bring our Legend up to date, and stamp our version with
the mint of the nineteenth century, thus: ‘Alfred ordered me to be
made.’
In the above analysis it has been necessary to depart in some
measure from the course of nature by exhibiting in succession a group
of changes which are due to processes more or less simultaneous.
This accumulation of gradual changes furnishes a measure, partly
scientific, partly sentimental, of the wide interval that separates
us from the time when this Epigraph was curiously woven in golden
filigree by the lucky artist who executed the design of the ingenious
prince.
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