Verhalen over het gebouwencomplex in Granada, dat eigendom was van de laatste islamitische vorsten in Spanje.
On each side of this hall are recesses or alcoves for ottomans and
couches, on which the voluptuous lords of the Alhambra indulged in that
dreamy repose so dear to the Orientalists. A cupola or lantern admits a
tempered light from above and a free circulation of air; while on one
side is heard the refreshing sound of waters from the fountain of the
lions, and on the other side the soft plash from the basin in the garden
of Lindaraxa.
It is impossible to contemplate this scene, so perfectly Oriental,
without feeling the early associations of Arabian romance, and almost
expecting to see the white arm of some mysterious princess beckoning
from the gallery, or some dark eye sparkling through the lattice. The
abode of beauty is here as if it had been inhabited but yesterday; but
where are the two sisters, where the Zoraydas and Lindaraxas!
An abundant supply of water, brought from the mountains by old Moorish
aqueducts, circulates throughout the palace, supplying its baths and
fish-pools, sparkling in jets within its halls, or murmuring in channels
along the marble pavements. When it has paid its tribute to the royal
pile, and visited its gardens and parterres, it flows down the long
avenue leading to the city, tinkling in rills, gushing in fountains, and
maintaining a perpetual verdure in those groves that embower and
beautify the whole hill of the Alhambra.
Those only who have sojourned in the ardent climates of the South can
appreciate the delights of an abode combining the breezy coolness of the
mountain with the freshness and verdure of the valley. While the city
below pants with the noontide heat, and the parched Vega trembles to the
eye, the delicate airs from the Sierra Nevada play through these lofty
halls, bringing with them the sweetness of the surrounding gardens.
Everything invites to that indolent repose, the bliss of southern
climes; and while the half-shut eye looks out from shaded balconies upon
the glittering landscape, the ear is lulled by the rustling of groves
and the murmur of running streams.
I forbear for the present, however, to describe the other delightful
apartments of the palace. My object is merely to give the reader a
general introduction into an abode where, if so disposed, he may linger
and loiter with me day by day until we gradually become familiar with
all its localities.
NOTE ON MORISCO ARCHITECTURE
Public-domain text, read in full here on John Shaqi.
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