Verhalen over het gebouwencomplex in Granada, dat eigendom was van de laatste islamitische vorsten in Spanje.
The “sons of the Alhambra” are an eminent illustration of this practical
philosophy. As the Moors imagined that the celestial paradise hung over
this favored spot, so I am inclined at times to fancy that a gleam of
the golden age still lingers about this ragged community. They possess
nothing, they do nothing, they care for nothing. Yet, though apparently
idle all the week, they are as observant of all holy days and saints’
days as the most laborious artisan. They attend all fêtes and dancings
in Granada and its vicinity, light bonfires on the hills on St. John’s
eve, and dance away the moonlight nights on the harvest-home of a small
field within the precincts of the fortress, which yield a few bushels of
wheat.
Before concluding these remarks, I must mention one of the amusements of
the place, which has particularly struck me. I had repeatedly observed a
long lean fellow perched on the top of one of the towers, manœuvring
two or three fishing-rods, as though he were angling for the stars. I
was for some time perplexed by the evolutions of this aërial fisherman,
and my perplexity increased on observing others employed in like manner
on different parts of the battlements and bastions; it was not until I
consulted Mateo Ximenes that I solved the mystery.
It seems that the pure and airy situation of this fortress has rendered
it, like the castle of Macbeth, a prolific breeding-place for swallows
and martlets, who sport about its towers in myriads, with the holiday
glee of urchins just let loose from school. To entrap these birds in
their giddy circlings, with hooks baited with flies, is one of the
favorite amusements of the ragged “sons of the Alhambra,” who, with the
good-for-nothing ingenuity of arrant idlers, have thus invented the art
of angling in the sky.
THE HALL OF AMBASSADORS
In one of my visits to the old Moorish chamber where the good Tia
Antonia cooks her dinner and receives her company, I observed a
mysterious door in one corner, leading apparently into the ancient part
of the edifice. My curiosity being aroused, I opened it, and found
myself in a narrow, blind corridor, groping along which I came to the
head of a dark winding staircase, leading down an angle of the Tower of
Comares. Down this staircase I descended darkling,
[Illustration: ENTRANCE TO THE HALL OF AMBASSADORS]
Public-domain text, read in full here on John Shaqi.
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