The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of taste — John Shaqi
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of tasteHogarth, William
Philosophy
The Analysis of Beauty: Written with a view of fixing the fluctuating ideas of taste
Hogarth, William
Aesthetics -- Early works to 1800
Nature, in shells and flowers, &c. affords an infinite choice of
elegant hints for this purpose; as the original of the Corinthian
capital was taken from nothing more, as is said, than some dock-leaves
growing up against a basket. Even a capital composed of the aukward and
confin'd forms of hats and periwigs, as fig. [48 p. I] in a skilful
hand might be made to have some beauty.
[Illustration: Fig. 48]
However, tho' the moderns have not made many additions to the art of
building, with respect to mere beauty or ornament, yet it must be
confess'd, they have carried simplicity, convenience, and neatness of
workmanship, to a very great degree of perfection, particularly in
England; where plain good sense hath prefer'd these more necessary
parts of beauty, which every body can understand, to that richness of
taste which is so much to be seen in other countries, and so often
substituted in their room.
St. Paul's cathedral is one of the noblest instances that can be
produced of the most judicious application of every principle that
has been spoken of. There you may see the utmost variety without
confusion, simplicity without nakedness, richness without taudriness,
distinctness without hardness, and quantity without excess. Whence the
eye is entertain'd throughout with the charming variety of all its
parts together; the noble projecting quantity of a certain number of
them, which presents bold and distinct parts at a distance, when the
lesser parts within them disappear; and the grand few, but remarkably
well-varied parts that continue to please the eye as long as the
object is discernable, are evident proofs of the superior skill of Sir
Christopher Wren, so justly esteem'd the prince of architects.
It will scarcely admit of a dispute, that the outside of this building
is much more perfect than that of St. Peter's at Rome: but the inside,
though as fine and noble, as the space it stands on, and our religion
will allow of, must give way to the splendor, shew, and magnificence
of that of St. Peter's, on account of the sculptures and paintings, as
well as the greater magnitude of the whole, which makes it excel as to
quantity.
Public-domain text, read in full here on John Shaqi.
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