The art of music, Vol. 05 (of 14) : $b The voice and vocal music — John Shaqi
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
This seems so obvious as to be hardly worth saying, but as a matter
of fact, song is by too many looked upon merely as a luxury to be
enjoyed by the few, whereas it is in reality a necessity that should
be used by all, for all have not only a latent impulse toward vocal
expression, but much more of a natural gift than is usually granted.
Persons selected for the purity of their enunciation and beauty of
their voices should every day, in all schools, speak and sing to the
pupils, who in turn would unconsciously imitate what they heard; and
so there would grow a regard for purity and beauty of tone, both in
speech and in song, which later would find expression in the study of
the various branches of vocal music--from folk-song to the art-song,
from sacred music and oratorio to opera. Only those especially gifted
should be permitted by their masters to take up the profession of
singer or teacher of singing, and thus there would be selected from the
great field of those who know much the few specialists in this or that
phase of the art who know more, and who are by nature better fitted to
exercise their talents in public.
So many people are able to sing after a fashion that sufficient care
is not always taken to separate those who are entitled to enter with
joy into the ranks of the interpreters of song from those who are fit
only for the comparative outer darkness of the auditor. But if that be
darkness, how great is the light of those who, by common consent, are
adjudged competent to bear so glorious a lamp before the footsteps of
the world!
The desire to sing is so universal that many enthusiasts overlook the
fact that they have neglected to train their vocal apparatus until
it is too late to make serious study worth while. Little can then
be done beyond what will give pleasure to the individual himself.
But this universal desire to sing should be universally recognized.
When in future it shall be not only so recognized but sensibly and
scientifically satisfied, then it will no doubt be found that very
great benefit will result to musical art and, through it, to the daily
lives of well-nigh everyone on earth.
When the science of education shall have advanced further, music, and
especially singing, will hold a very important place in the scheme,
and the difference will become clearly apparent between the average
normal being with the average vocal equipment and the artist to the
manner born. As with those whose trend toward mathematics or languages
is unmistakable, so the truly musical are to be distinguished with ease
from their fellows; but all such, and especially singers, should be
educated with great care and in a broad and comprehensive manner.
Public-domain text, read in full here on John Shaqi.
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