The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
If we glance at the other minor objects which completed the
table-service--knives, spoons, forks, bottle-stands, plate-mats, &c.--we
shall see that they no less indicate refinement and luxury. Forks, that
now seem to us so indispensable, are mentioned for the first time in
1379, in an inventory of Charles V. They had only two prongs, or rather
two long sharp points. As for knives, which, with spoons, had to supply
the place of forks for the guests to eat with, their antiquity is
undoubted. Posidonius, whom we have already quoted, says, when speaking
of the Celts:--“They eat in a very slovenly manner, and seize with their
hands, like lions with their claws, whole quarters of meat, which they
tear in pieces with their teeth. If they find a tough morsel, they cut
it with a small knife which they always carry in a sheath at their
side.” Of what were these knives made? Our author does not tell us; but
we may assume that they were of flint or of polished stone, like the
hatchets and arrow-heads so frequently found where these ancient people
dwelt, and which bear testimony to their industry.
In the thirteenth century mention is made of knives, under the name of
_mensaculæ_ and _artavi_, which a little later were known by the word
_kenivet_, from which evidently is derived _canif_. To complete this
connection, we may remark that it is to be gathered, from a passage by
the same author, that the blades of some knives of that period were made
to slide into the handle by means of a spring, like our pocket-knives.
Spoons, which necessarily were used by all nations as soon as dishes
more or less liquid were introduced, are described from the date of
almost our earliest history. Accordingly, we see, in the “Life of St.
Radegonde,” that that princess, who was constantly engaged in charitable
acts, used a spoon for feeding the blind and the helpless whom she took
under her care.
At a very remote period we find in use _turquoises_, or nut-crackers.
Cruet-stands were, excepting in form, very similar to stands for two
bottles; for they are thus described:--“A kind of double-necked bottle
in divisions, in which to place two sorts of liquors without mixing
them.” The plate-mats were our _dessous de plat_, made of wicker, wood,
tin, or other metal.
The manufacture of the greater number of these articles, if intended for
persons of rank, did not fail to engage the industry of artisans and the
talent of artists. Spoons, forks, nut-crackers, cruet-stands,
sauce-boats, &c., furnished inexhaustible subjects for embellishment and
chasing; knife-handles, made of ivory, cedar-wood, gold, or silver, were
also fashioned in the most varied forms. Until ceramic art introduced
plates more or less costly, they naturally enough followed the shape of
dishes, which in fact they are, on a small scale. But if the dishes were
of enormous size, the plates were always very small.
Public-domain text, read in full here on John Shaqi.
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