The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The City Dionysia, the feast of Dionysus Eleuthereus,[16] was the most
famous and magnificent of all the Bacchic festivals, and was therefore
also called the Great Dionysia, or simply the Dionysia, without any
further epithet.[17] It was held from the first inside the city, at the
sacred enclosure of Eleuthereus[18] on the south of the Acropolis. Hence
the name City Dionysia, to distinguish it from the Anthesteria and the
Lenaea, which, at any rate in early times, were celebrated outside the
walls. A poet who brought out his plays at this festival was said to
exhibit them ‘in the city’; if successful, he was said to have won ‘a
city victory’.[19] The feast lasted for at least five days, and possibly
for six. It took place in the month Elaphebolion, at a date corresponding
to the end of March.[20] The spring was then just beginning, and the sea
had again become navigable.[21] Consequently the city was crowded with
visitors from all parts of Greece. It was at this season that the allies
came to Athens to pay the annual tribute. Ambassadors from foreign states
often chose this time for the transaction of diplomatic business. Large
numbers of strangers were attracted by mere pleasure, and the celebrity
of the festival. Aeschines, in his rhetorical language, describes the
audience in the theatre at the City Dionysia as consisting of the ‘whole
Greek nation’.[22] The presence of so many strangers gave a lively
appearance to the streets, in marked contrast to the quietness which
prevailed at the winter festival of the Lenaea.[23] The Athenians gladly
seized this opportunity of displaying before foreign Greeks the glories
of their city. The various spectacles provided, the religious ceremonial,
the trains of sacrificial victims, the choral songs and dances, the
tragedies and comedies exhibited before countless multitudes in the vast
open-air theatre, were all calculated to impress strangers with the
wealth, public spirit, and artistic supremacy of Athens.
Public-domain text, read in full here on John Shaqi.
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