He lit his big meerschaum pipe, and left the lights all burning. The
feeling that there was something he had overlooked, forgotten, left
undone, had vanished. Whatever the original cause of this absurd
uneasiness might be--he called it absurd on purpose because he now
realized in the depths of him that it was really more vital than he
cared about--it was much nearer to discovery than before. It dodged
about just below the threshold of discovery. It was as close as that.
Any moment he would know what it was; he would remember. Yes, he would
_remember_. Meanwhile, he was in the right place. No desire to go
elsewhere afflicted him, as in the theater. Here was the place, here in
the flat.
And then it was with a kind of sudden burst and rush--it seemed to him
the only way to phrase it--memory gave up her dead.
At first he only caught her peeping round the corner at him, drawing
aside a corner of an enormous curtain, as it were; striving for more
complete entrance as though the mass of it were difficult to move. But
he understood, he knew, he recognized. It was enough for that. As an
entrance into his being--heart, mind, soul--was being attempted and the
entrance because of his stolid temperament was difficult of
accomplishment, there was effort, strain. Something in him had first to
be opened up, widened, made soft and ready as by an operation, before
full entrance could be effected. This much he grasped though for the
life of him he could not have put it into words. Also he knew who it was
that sought an entrance. Deliberately from himself he withheld the name.
But he knew as surely as though Straughan stood in the room and faced
him with a knife saying, "Let me in, let me in. I wish you to know I'm
here. I'm clearing a way! You recall our promise?"
Public-domain text, read in full here on John Shaqi.
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