The Book of the Bayeux Tapestry: Presenting the Complete Work in a Series of Colour Facsimiles — John Shaqi
The Book of the Bayeux Tapestry: Presenting the Complete Work in a Series of Colour FacsimilesBelloc, Hilaire
History
The Book of the Bayeux Tapestry: Presenting the Complete Work in a Series of Colour Facsimiles
Belloc, Hilaire
Bayeux tapestry
These ten panels of the Breton Expedition (which I desire once more to
point out as capital in the whole story—as told in the Bayeux Tapestry)
end with a short and simple but critical incident, and that is the
giving of arms to Harold by William. The thing was already a ritual and
the mention of nothing could have more struck the men of the twelfth
century with the closeness of the personal tie between William and
Harold, which all this part of the Tapestry is designed to bring into
relief. It is symbolised in the 26th panel.
The next two panels (27 and 28) represent what is in popular history the
pivot of the whole story, Harold’s oath. It is, of course, the chief
single event in the story of what the Norman writers regard as his
treason. Note first that the scene is Bayeux. That is important, both
because it explains why this favourite town of William’s should also be
the custodian of the document before us, and because it again refers us
to Wace and the _Roman de Rou_. Wace is the only author, I believe, who
puts down Bayeux as the scene of Harold’s oath. I will give the words
from the _Roman de Rou_ that the reader may judge:
“That he (Harold) would give up to him (William) England when the King
Edward should die, and that he (Harold) should take to wife, if he
willed, a daughter that he (William) had. This, if he would, he should
swear. William ... summoned a Parliament[3] at Bayeux _as people say_,”
&c. &c.
William is clothed in all the ritual garments of his authority, garments
which were for the rulers of that day almost hierarchic and priestly; he
is seated upon a throne, and everything is done by the artist to bring
out the solemnity of the occasion. Harold swears with a hand upon either
reliquary set upon two neighbouring altars for the purpose of the oath.
It is true that the inscription upon the Tapestry tells us nothing of
what he is promising upon oath, but we are quite safe in presuming that
the story follows Wace and that he is promising the crown of England.
It is, of course, the chief matter of historical dispute in the whole
business whether Harold _did_ make that promise or no.
[Illustration:
29
]
[Illustration:
30
]
In the next two panels (29, 30) Harold crosses the sea, touches English
land, and comes again into the presence of his king, Edward. The
episodes are not very striking. Perhaps the most remarkable is the
conventional building with a sort of pier thrust out into the sea, from
which a look-out man watches for the fleet and from the windows of which
its arrival is also watched. This building makes the division between
the first and second of the panels. It is remarkable that we have no
written evidence of this interview between Harold and Edward immediately
following his landing; but it must have taken place, and evidently
contemporaries took it for granted.
[Illustration:
31
]
[Illustration:
32
]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account