The Brass Bottle: A Farcical Fantastic Play in Four Acts — John Shaqi
The Brass Bottle: A Farcical Fantastic Play in Four ActsAnstey, F.
Science
The Brass Bottle: A Farcical Fantastic Play in Four Acts
Anstey, F.
Fantasy drama; Jinn -- Drama
Ah, that's better! [_He goes to the divan and gets himself a cushion, then
sits facing FAKRASH._] Now I'll tell you an idea that's just struck
me--the Professor said himself that nothing would convince him but seeing
you with his own eyes. Well--why shouldn't you _go_ to him?
FAKRASH.
[_Eagerly._] Tell me where he hath his abode, and I will visit him this
same instant.
[_About to rise._
HORACE.
[_Stopping him._] No, you don't! Just when he'll be turning in! You'll go
about ten o'clock to-morrow morning, when he's had his breakfast--or you
won't go at all!
FAKRASH.
Be it so! I will restrain my impatience until the morrow. But the place of
his dwelling?
HORACE.
Wait a bit. I won't have him rattled. [_FAKRASH looks puzzled._] I mean, no
popping up through the floor or down the chimney. You'll just walk quietly
up to his front door, and ask to see him. Then you can explain who you are
and what you want, and, if you're decently polite, I'm sure the Professor
will give you back your property.
FAKRASH.
All these instructions will I observe.
HORACE.
But you can't go in _that_ get-up, or you'll have a crowd of small boys at
your heels. Couldn't you raise the sort of costume respectable elderly
gentlemen go about in nowadays?
FAKRASH.
I hear and obey. To assume such garb as is worn by aged dwellers in this
city will be the simplest affair possible!
HORACE.
All right, then. And you must go to No. 47 Cottesmore Gardens, Kensington,
and ask whoever lets you in if you may see Professor Futvoye. Think you can
remember all that?
FAKRASH.
[_Rising._] Indelibly is it inscribed upon the tablet of memory. To-morrow,
then, at the appointed hour, will I repair to the abode of this sage.
HORACE.
[_Who has risen at the same time as FAKRASH, and thrown the cushions back
on the divan._] Good! And you'd better come on to me afterwards and let me
know how you got on. Not _here_--at my office, Great College Street,
Westminster. Got _that_ down on your tablet?
FAKRASH.
It is done. And now, O young man of abundant talents and obliging
disposition, I will take my leave of thee. [_Going to centre of hall._] For
I must seek my Palace in the Garden of Irem and repose myself until it be
day. But--[_turning_]--ere I depart, tell me by what service I can reward
thy kindness?
HORACE.
Well,--if you _really_ want to do me a good turn,--you might change these
halls again.
FAKRASH.
What? Are they insufficient for thy dignity?
HORACE.
No, no--they're much too grand! I--I want my old rooms back!
FAKRASH.
[_Pained._] Of what avail is it to confer favours upon _thee_, since thou
rejectest them every one!
HORACE.
[_Approaching him, and speaking soothingly._] No, not every one. There was
old Wackerbath--the client you sent me--I haven't rejected _him_. I'm going
to build him a country-house.
FAKRASH.
Ha! And on what spot is this mansion to be erected?
HORACE.
Public-domain text, read in full here on John Shaqi.
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