American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
Yes, Felix thought, books are not the only things worth knowing; there
is life itself. And he had certainly never intended to spend his days in
Chicago without seeing anything of girls. To be sure, he did not want to
fall in love—and he knew himself to be at this period in a dangerously
susceptible mood. But must he be such a fool as to fall in love with the
first girl he kissed? It was time for him to learn to be like other
people—to take such things more lightly. If he could find the kind of
solace which Victor’s words suggested ... and a part of his mind leaped
to welcome the thought of that release from the torment of loneliness.
He envisaged in fantasy a “real” girl, ready to put aside the hypocritic
disguises of civilization and reveal herself as what she was—a splendid
young animal whose touch was joy.... As this warm vision flashed and
faded in his mind, he turned to Victor Budge and asked:
“Where is this party you’re taking me to tonight?” For the idea of these
Arabian Nights come true in Chicago, seemed a little surprising. But
doubtless there were many things that he did not know.
“Did I say party? Well, you know what I mean,” said Victor Budge, not
without embarrassment. “It’ll be a real party, all right, before we get
through! We’ll start down in Jake’s place, and take in the whole
district.”
Felix flushed slowly, a painful flush of anger and shame that seemed to
spread all through his body. Anger and shame at his own credulity.
Arabian Nights, indeed! He laughed, loudly—at himself.
A picture came into his mind, compounded of things he had read, and the
brief glimpses of actuality with which his curiosity had been satisfied
and sickened back in Port Royal on the Mississippi—of the tawdry, dirty,
dull, the incredibly dull, the joyless, loveless, hard, empty life of—as
it was sometimes called—joy.... The stupid women, the foolish men, the
mechanical noise and laughter, the boozy humour, the touch of stale,
jaded, weary flesh.... And this was what Victor Budge was talking
about—this was the subject upon which he had expended so much vulgar
eloquence!... This, then, was Victor Budge’s realism. This was what he
called a real party; and those were what he called “real girls”.... That
was what he meant by taking things as one found them, and not bawling
for the moon.
Victor Budge was staring at him. “What’s eating you?” he asked.
Felix laughed again. “Well,” he said, “I’ve some aesthetic theories of
my own which make it impossible for me to accept your invitation. What’s
good enough for other people isn’t good enough for me. I don’t want to
take life simply and realistically. I’m going off to starve in my garret
and write poems to Helen of Troy and the Blessed Damozel!”
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XII. Bachelor’s Hall
1
Public-domain text, read in full here on John Shaqi.
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