The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of WorkingHeuvel, Johannes
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The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of Working
Heuvel, Johannes
Furniture making; Furniture workers -- Virginia -- Williamsburg; Furniture, Colonial -- Virginia -- Williamsburg
Up and down the coast of America grew an enormous variety of trees, both
evergreen and deciduous. All of them found some use in the colonial
home, from rough-hewn structural members to finely crafted furniture—and
even to common hairbrushes and combs. In 1774 William Aylett of King
William County, 50 miles from Williamsburg, advertised:
PLANK and SCANTLING to be sold by the Subscriber at his Saw Mill near
_Aylett_’s Warehouse, _Mattapony_ River, upon the most reasonable
Terms, and of the following Kinds, _viz._ White Oak, Black Walnut,
Sweet Gum, Ash, Poplar, Birch (which makes elegant Furniture) best
Yellow Heart Pine for Flooring, and clear of Heart and Sap if
required, common high Land and Slash Pine for other Uses....
Almost anything could be made of wood, and almost everything was,
including many of the articles we today are familiar with in steel,
iron, copper, aluminum, alloys, plastics, and rubber. Pitchforks,
tableware and kitchen utensils, wheels, axles, gears and bearings, tool
handles and sometimes the bodies of tools, all were made, at least in
part, of wood.
_THE WOODWORKING CRAFTS_
The variety of woodworking crafts was almost as great as the variety of
trees. In Williamsburg alone—and Williamsburg was by no means an
important center in this respect—mention has been found of all the
following during colonial times:
cabinetmaker
carpenter
carver
chairmaker
chaisemaker
chariotmaker
coachmaker
cooper
gunstocker
joiner
millwright
sawyer
shipwright
wheelwright
woodcutter
In addition, there were such related crafts as upholsterer, lumber
merchant, gilder, japanner, and coach painter.
Eighteenth-century Williamsburg was not, however, quite so crowded with
woodworking craftsmen as this list would indicate. For if the guild
traditions of the Old World required that each operation be the monopoly
of a specific craft, in the New World practical needs tended to force a
merging of related crafts. Only in a few of the big colonial
cities—Philadelphia, New York, Boston, or Charleston—was demand great
enough to keep some of the specialists going. Elsewhere the craftsmen of
town or village had to be versatile—or go hungry. A Williamsburg
cabinetmaker, thus, was likely to be also joiner, carver, and
upholsterer—and probably undertaker as well.
[Illustration: _This illustration from Diderot’s famous
eighteenth-century encyclopedia of the arts and sciences shows the
interior and lumber yard of a large European joinery. Workers inside
the shop are making, carving, and fitting various elements of
paneling. Outside, to the right, two others are ripping a length of
scantling with a pit saw._]
Public-domain text, read in full here on John Shaqi.
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