The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of Working — John Shaqi
The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of WorkingHeuvel, Johannes
History
The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of Working
Heuvel, Johannes
Furniture making; Furniture workers -- Virginia -- Williamsburg; Furniture, Colonial -- Virginia -- Williamsburg
Right here it may be well to explain the difference between joinery and
cabinetmaking as crafts, always remembering that in Williamsburg and in
most of colonial America both might be practiced by the same craftsmen.
Joinery involved the making and installing of paneling, molding,
mantel-pieces, staircases, and similar interior trim in houses. A joiner
might also make furniture of the plainer sort. Cabinetmaking demanded
skills of a higher order to create furniture having such refinements as
curved surfaces, dovetail joints, cabriole legs, carved ornamentation,
veneered or inlaid surfaces, and upholstering.
Joiner and cabinetmaker were both concerned basically with fitting
together pieces of wood to make a whole structure. The pieces or parts
had to be shaped, of course; and it was in the shaping processes—sawing,
planing, and chiseling—that the worker’s real skill showed up. Pieces
properly formed will fit together neatly and enduringly, while no amount
of glue will make a sound joint of pieces that do not fit.
Two crafts always prominent in Europe are noticeably absent from the
list of Williamsburg woodworking crafts. Marquetry, the intricate
inlaying of patterns in contrasting woods, seems not to have been much
practiced anywhere on this side of the Atlantic; probably Williamsburg
cabinetmakers were rarely, if ever, called on for inlay work. The
absence of turnery from the list, however, does not mean it was unknown
here but only that Williamsburg cabinetmakers customarily did their own
lathe work instead of sending it out to a specialist.
Here, too, may be the best place to make first acquaintance of the four
Williamsburg practitioners about whom most information survives.
They—and the periods of their known activity as cabinetmakers in
Williamsburg—are: _Peter Scott_, 1732-75, who lived across the street
from Bruton Parish Church and had his shop somewhere nearby, and who
was, for forty years, a member of Williamsburg’s common council;
_Anthony Hay_, 1751-67, whose “large Cabinet Maker’s Shop” has been
re-created on its original Nicholson Street site, who turned innkeeper
as host of the Raleigh Tavern, and whose son George, as United States
attorney, prosecuted Aaron Burr for treason; _Edmund Dickinson_,
1764-78, who probably worked in Hay’s shop and eventually occupied it as
his own master; and _Benjamin Bucktrout_, 1766-78, whose funeral side
line became the chief business of his posterity in Williamsburg for
several generations.
_PRIME FURNITURE WOODS_
Public-domain text, read in full here on John Shaqi.
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