The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class — John Shaqi
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 2 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
8 is one of a pair of cows, 4¾ inches in height;
the upper half of each lifts off. They are excellently modelled, and
painted in flowers, evidently by the same artist as the Fazackerley
mugs, in yellow, blue, and green. Fragments of figures were, I believe,
found in excavating on the site of Shaw’s pottery.
[Illustration: Fig. 5.]
[Illustration: Figs. 6 and 7.]
Another dated example of about this period is a fine Delft ware bowl,
on the outside of which are painted birds, butterflies, and flowers,
and on the inside a man-of-war, painted in blue and colours, with the
inscription, “Success to the _Monmouth_, 1760.”
[Illustration: Fig. 8.]
[Illustration: Figs. 9 to 12.]
A most interesting matter in connection with the Delft ware works at
Shaw’s Brow is the fact of a number of broken vessels being discovered
on its site during excavations for building the Liverpool Free Library
and Museum, in 1857. On that occasion an old slip-vat was found
containing clay, which might probably have been prepared as early as
1680. The clay was of the common coarse kind, the same as the general
body of Delft ware. Of this clay so discovered Mr. Mayer had a vase
thrown and fired. Some of the Delft cups, &c., exhumed are shown on
Figs. 9 to 14. These are all of a pinkish white; one only having a
pattern painted in blue. Another example of Delft ware (Fig. 15), said
to be of Liverpool make, in Mr. Mayer’s collection, is one of a pair of
flower vases, of good design, with heads at the sides, and elaborately
painted in blue. It is marked on the bottom--
W
D A
in blue. Another example (Fig. 16), said to be of Liverpool make, is
the puzzle jug, and bears the very appropriate motto, painted in blue--
“Here, Gentlemen, come try y^r skill,
I’ll hold a wager, if you will,
That you Don’t Drink this liq^{r} all
Without you spill or lett some Fall.”
_Zachariah Barnes._--another maker of Delft ware in Liverpool--was
a native of Warrington, and brother to Dr. Barnes, of Manchester. He
was born in 1743, and having learned the “art, mystery, and occupation”
of throwing, &c., commenced business as a potter in the old Haymarket,
at the left-hand side in going to Byrom Street. He is said to have
first made China, but afterwards turned his attention to Delft ware,
and soon became proficient in the art. The principal varieties of goods
made by him were jars and pots for druggists; large dishes, octagonal
plates and dishes for dinner services; “Dutch tiles;” labels for
liquors; potted-fish pots, &c., &c. Of the druggist’s jars, of which
he made considerable quantities, it is said that the labelling in his
time underwent no less than three changes from alterations in the
pharmacopæia.
[Illustration: Fig. 13.]
[Illustration: Fig. 14.]
[Illustration: Fig. 15.]
[Illustration: Fig. 16.]
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