The Characters of Theophrastus: A Translation, with IntroductionTheophrastus
General
The Characters of Theophrastus: A Translation, with Introduction
Theophrastus
Character sketches -- Early works to 1800
Disagreeableness we may define as a kind of conduct which is annoying,
although it may not be injurious. The disagreeable man will go to a
friend and wake him out of a sound sleep to have a talk with him. He
detains passengers who are on the point of embarking; others who have
come to see him he bids wait until he has taken his walk. He takes the
baby from its nurse, chews its food for it and feeds it, dandles it on
his knee while he cooes to it and calls it “Papa’s little rascal!”
At table he tells the company how he once took hellebore and was
physicked through and through, and how his bile was blacker than the soup
on the table. And he asks before the family: “I say, mammy, what day was
it when you were confined and I was born?” He says he has cool cistern
water at his house and a garden full of tender vegetables; that his cook
is a perfect _chef_, and that his house is a regular hotel, for it is
always full of company, and his guests are like leaky sieves,—do the best
he can, it is impossible to fill them.
When he gives a dinner he exhibits his jester and shows him off before
the company. To enliven his guests over their cups, he says that further
pleasures have been arranged for them.
XV _The Exquisite_
(Μικροφιλοτιμία)
Exquisiteness is a striving for honor in small things. The exquisite when
invited to dinner, is eager to sit by his host. When he cuts off his
son’s hair for an offering to the gods, no place but Delphi will answer
for the ceremony. His attendant must be an Ethiopian.[13] When he pays a
mina[14] of money he makes a point of offering a freshly minted piece. If
he has a pet daw in the house, he must needs buy it a ladder and a brazen
shield, that the daw may learn to climb the ladder carrying the shield.
When he has sacrificed an ox, he winds the head and horns with fillets,
and nails them up opposite the entrance, in order that those who come
in may see what he has been doing. When he parades with the cavalry, he
gives all his accoutrements to his squire to carry home, and throwing
back his mantle stalks proudly about the market-place in his spurs.
When his pet dog dies, he raises a monument to the creature, and has a
pillar erected with the inscription: “Fido, Pure Maltese.”[15] In the
Asclepieion[16] he dedicates a brazen finger,[17] polishes it, crowns it
with flowers, and anoints it every day with oil.
And he has his hair cut frequently. His teeth are always pearly white.
While his old suit is still good, he gets himself a new one; and he
anoints himself with the choicest perfumes.
In the agora he frequents the banker’s counters. If he visits the
gymnasia, he selects those in which the ephebi[18] practise; and, when
there’s a play, the place he chooses in the theatre is close beside the
generals.
Public-domain text, read in full here on John Shaqi.
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