Chinese drama -- History and criticism; Theater -- China
The first scene introduces a young scholar, Tsai-yung, face to face with
the alternatives of remaining in his village to take care of his aged
parents or of going to the capital in search of honors and lucrative
posts. His own wishes are to remain at home, less for his parents’ sake
than because of the beautiful wife whom he has married but two months
ago. But his father urges him to go to Ch’ang An, to use his talents,
and to gain fame and wealth. “At fifteen one must study, at thirty a man
must act.” A friend of the family, an elderly gentleman called Chang,
sides with the father against the mother, who wishes to keep her son at
home. She tells the story of a young man who had left his family to take
the examination at the capital, but who, when at last his learning had
gained him a post as superintendent of an almshouse, found his parents
as inmates in the very institution. The young wife takes no part in
the discussion at all; in fact, the elderly gentlemen seem to consider
affection for her an unmanly weakness on the son’s part. “He thinks of
nothing but love and the sweet pleasures of the nuptial couch,” says his
father. “Here it’s two months that he is married, and yet one cannot tear
him away from this place.” This represents a very common attitude in
China—I remember reading in a Peking paper in 1917 in an attack on the
vice-president of Tsing Hua College that one of his faults was that he
occasionally went walking with his wife! One of my students from Shansi
told me one day that he had been married during the summer vacation.
I asked whether his wife was with him in Peking, and when he answered
in the negative, whether he was writing to her. “Oh, no,” he said
shamefacedly, “I wouldn’t do such a thing.”
[Illustration: A CHINESE ARTIST’S CONCEPTION OF TWO PIOUS SOULS]
The father calls on the son to state what he understands by filial piety.
The son answers by quoting the “Book of Rites,” “It is the duty of the
son to take every care that in summer as well as in winter his parents
should enjoy all comforts of life. He must every evening himself arrange
the bed on which they are to sleep; every morning at the first crowning
of the cock he must inquire in affectionate terms about the state of
their health; then, in the course of the day, he must ask repeatedly
whether they are suffering from the cold or whether the heat incommodes
them. The duty of the son is to watch over his parents wherever they go,
to love those whom they love, honor those whom they honor; he must even
love the horses and dogs whom his father loves.” And he adds from the
“Sayings of Confucius”: “A son should not leave the home of his father
and his mother so long as they are still living.”
Public-domain text, read in full here on John Shaqi.
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