Chinese drama -- History and criticism; Theater -- China
The scene again shifts to the famine-stricken province. A mandarin
finds that a corrupt official has stolen the little grain that is to be
distributed to the poor. This commissioner is caught in the very act,
yet in typical Chinese fashion he has a ready but translucent excuse
to offer; however, when he is threatened with torture he is willing
to confess that he is a robber. This wicked official is then made to
sign a written confession of his guilt and is led off to jail. His kind
appears in hundreds of plays; in fact, he is probably the very favorite
type on the Chinese stage. The mandarin asks Wu-niang why she had come
to the court herself instead of sending a male member of the family;
a woman, he says, should not leave the inner apartments of the house.
It is interesting to note that a Chinese commentator considers this an
erroneous interpretation of the passage in the “Book of Rites”; it is
only the young girl who is not to leave the inner apartments; once a
woman is married she may do so. When the mandarin learns of Wu-niang’s
sad situation, he commands an attendant to give her three portions of the
rice embezzled by the official. Another official, who seems to be hand
in glove with the embezzler, follows Wu-niang and in a lonely place on
the road demands that she return the rice, lest he kill her on the spot.
Wu-niang offers him her clothes; if he will only not demand the food that
is to save the lives of the old people. The black-hearted villain says
that he wants the rice and does not care to expose her limbs to the fury
of the elements. Then comes the young woman’s touching answer, which
reaches perhaps the highest level of a daughter’s devotion: “What matters
it if my body be exposed to the fury of the elements, so long as I can
save the lives of my father-in-law and my mother-in-law!” The cowardly
wretch pretends to be touched and bids her go her way in peace, but as
soon as she is off her guard he snatches from the defenseless woman her
bag of rice. Fearing the reproaches of her parents-in-law Wu-niang plans
suicide, but the memory of her husband’s admonition that she watch over
his parents decides her to continue in the thankless task.
Public-domain text, read in full here on John Shaqi.
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