The Church of Sancta Sophia, Constantinople: A Study of Byzantine BuildingLethaby, W. R. (William Richard)
Religion
The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building
Lethaby, W. R. (William Richard)
Ayasofya Müzesi
_Atrium._--“Now on the western side of this divine church you will
see a great open court (_aule_) surrounded by four cloisters. One of
these joins on to the narthex, but the others spread round the sides,
where stand their several paths. In the very centre of the wide garth
stands a spacious phiale, cleft from the Iassian peaks; and from it
bubbling water gushes forth and throws a stream into the air, leaping
up from the pressure of the brazen pipe--a stream that purges away all
suffering, when the people, in the month of the golden vestments[73]
at the mystic feast of Christ, draw the unsullied waters in vessels by
night. And the water shows the power of God; for never will you find
decay on its surface, even if it remains in its vessel, and away from
the fountain for more than a year.[74]
“Everywhere the walls glitter with wondrous designs, the stone for
which came from the quarries of seagirt Proconnesus. The marbles are
cut and joined like painted patterns, and in stones formed into squares
or eight-sided figures the veins meet to form devices; and the stones
show also the forms of living creatures.
“And on either side along the flanks and outskirts (_antuges_) of the
beautiful church, you would see open courts (_aulai_). These were all
planned about the building with cunning skill, that it might be bathed
all round by the bright light of day.
_The Marbles._--“Yet who, even in the measures of Homer, shall sing the
marble pastures gathered on the lofty walls and spreading pavement of
the mighty church? These the iron with its metal tooth has gnawed--the
fresh green from Carystus, and many-coloured marble from the Phrygian
range, in which a rosy blush mingles with white, or it shines bright
with flowers of deep red and silver. There is a wealth of porphyry
too, powdered with bright stars, that has once laden the river boat on
the broad Nile. You would see an emerald green from Sparta, and the
glittering marble with wavy veins, which the tool has worked in the
deep bosom of the Iassian hills, showing slanting streaks blood-red and
livid white. From the Lydian creek came the bright stone mingled with
streaks of red. Stone too there is that the Lybian sun, warming with
his golden light, has nurtured in the deep-bosomed clefts of the hills
of the Moors, of crocus colour glittering like gold; and the product
of the Celtic crags, a wealth of crystals, like milk poured here and
there on a flesh of glittering black. There is the precious onyx, as
if gold were shining through it: and the marble that the land of Atrax
yields, not from some upland glen, but from the level plains; in parts
fresh green as the sea or emerald stone, or again like blue cornflowers
in grass, with here and there a drift of fallen snow,--a sweet mingled
contrast on the dark shining surface.
Public-domain text, read in full here on John Shaqi.
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