After a great deal of discussion as to the stage-arrangement, _Peer Gynt_, largely abbreviated, was produced, with Edvard Grieg’s now famous incidental music, at the Christiania Theatre in February 1876, Henrik Klausen playing the title-part. It was acted thirty-seven times; but a fire which destroyed some of the scenery put a stop to the performances. In 1892, at the same theatre, the first three acts were revived, with Björn Björnson as Peer, and repeated fifty times. In the repertory of the National Theatre, too (opened in 1899), _Peer Gynt_ has taken a prominent place. It was first given in 1902, and has up to the present (1906) been performed eighty-four times. In the version which has established itself on the Norwegian stage, all five acts are given, but the fourth and fifth acts are greatly abbreviated. In the season of 1886 the play was produced at the Dagmar Theatre, Copenhagen. August Lindberg’s Swedish Company acted it in Gothenburg in 1892, in Stockholm in 1895, and afterwards toured with it in Norway and Sweden. Count Prozor’s translation was acted by “L’Œuvre” at the Nouveau Théâtre, Paris, in November, 1896, of which remarkable production a lively account by Mr. Bernard Shaw may be found in the _Saturday Review_ of that period. At the Deutsches Volkstheater in Vienna, in May 1902, two performances of _Peer Gynt_ were given by the “Akademisch-Litterarische Verein.” I can find no record of any other German production of the play. The first production in the English language took place at the Grand Opera House, Chicago, on October 29, 1906, when Mr. Richard Mansfield appeared as Peer Gynt. Mr. Mansfield would seem to have acted the greater part of the play, but to have omitted the Sæter-Girl scene and the madhouse scene.