The Comic History of RomeÀ Beckett, Gilbert Abbott
History
The Comic History of Rome
À Beckett, Gilbert Abbott
Rome -- History -- Humor; Wit and humor, Pictorial
Though the duties of the Vestals were rigidly enforced, and the letting
out of the sacred fire was, in some cases, punished by the extinction of
the delinquent's vital spark, they enjoyed some peculiar advantages.
Though their acts were under strict control, they were, in one sense,
allowed a will of their own; for they were permitted, even when under
age, to make their own testaments. They occupied reserved seats at
public entertainments; and if they happened to meet a criminal in
custody, they had the privilege of releasing him from the hands of the
police of the period. Notwithstanding these inducements, the office of
Vestal was not in much request; and, in the event of a vacancy, it was
awarded by lot to some young lady, whose dissatisfaction with her lot
was usually very visible. Such is a brief outline of the duties and
liabilities of the order into which Amulius forced his niece, and it
has been the subject of complaint in more recent times that Rome still
occasionally does as Rome used to do. We will now return to Rhea Silvia,
who appears to have entered the service of the goddess as a
maid-of-all-work; for she was in the habit of going to draw water from a
well; and it was on one of these aquatic excursions she met with a
military man, passing himself off as Mars who paid his addresses to her,
and proved irresistible.
[Illustration: Rhea Silvia.]
Rhea Silvia gave birth to twins; upon which her cruel uncle ordered her
to be put to death, and desired that her infant offspring should be
treated as a couple of unwelcome puppies, and got rid of by drowning in
the ordinary manner.
The children were placed in a cradle, or, as some say, a bowl, and
turned adrift on the river; so that Amulius, if he had any misgiving as
to the security of his crown, preferred to drown it in the bowl with his
unhappy little relatives.
Public-domain text, read in full here on John Shaqi.
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