The coming of peace (A family catastrophe)Hauptmann, Gerhart
General
The coming of peace (A family catastrophe)
Hauptmann, Gerhart
Christmas plays; German drama -- Translations into English
[_He stands up, looks at his work by the lamp, and then fastens
the Christmas tree so that it stands upright. Friebe is small,
already a little bent, bandy-legged, and has a bald head. His
small, mobile, little monkey face is unshaven. His hair and
stubble beard are yellowish grey. He is a jack-of-all-trades.
His coat, stiff with a mixture of plate powder, oil,
boot-blacking and dust, was cut for a man twice his size,
so that the sleeves are tucked up and the skirts overlap
considerably. His brown servant’s apron is no cleaner than his
coat: from under it from time to time he brings out a snuff-box
and takes snuff with intense satisfaction. The tree made firm,
he puts it on the table, stands in front and gazes at it._
FRIEBE.
A real—bonny—well-set-up—little fir tree! (_with condescending
superiority to the women_) you don’t think so—eh?
MRS BUCHNER.
As an old forester, you should be the best judge of that.
FRIEBE.
Well, certainly, that would be rather too much; as to what a fir tree is—
MRS SCHOLZ (_interrupting him impatiently_).
We really mustn’t keep you here, Friebe; my daughter expressly said,
“send Friebe for me.”
FRIEBE.
H’m—tch—for all I care!
[_Goes out through the kitchen door, making a contemptuous
gesture._
MRS BUCHNER.
Are you vexed with him?
MRS SCHOLZ.
I should think so. Tiresome idiot! If it hadn’t been for my
husband—there, you see, that’s my husband all over.—This old
snuffler—Nothing else would do, he must have _him_ about the whole day,
or else he wasn’t content. Did you ever know such a man?
[_Enter Augusta from outside in haste and alarm: once inside,
she shuts the glass door violently and throws herself against
it as though to prevent some one from coming in._]
MRS SCHOLZ (_most violently startled_).
Oh God-oh-God-oh-God!!!
MRS BUCHNER.
Why?—what—?
[_Augusta is tall, lanky, and noticeably thin: she is dressed
in the height of fashion but without any taste. Fur jacket,
fur cap and muff. The face and the feet are long: the face
is sharply cut and bitter featured, with thin lips tightly
pressed together. She wears a lorgnette. Her nature unites
with her mother’s excitability, something of a pathologically
disagreeable character. Her personality diffuses round it an
atmosphere of discontent, dissatisfaction and comfortlessness._]
AUGUSTA.
Out there!—as true as I’m here—someone—was following me.
MRS BUCHNER (_pointing to the clock_).
William, perhaps.—No! not yet. The train can’t be in yet. (_To Augusta_)
Wait a moment!
[_She puts out her hand to open the door._
AUGUSTA.
No! No!—No! No!
MRS BUCHNER (_in a cooing manner_).
You’re nervous, dear child. (_She goes into the porch and opens the outer
door, a little timidly._) Is anyone there?—(_Resolutely_) Is anybody
there? (_Pause—no answer._)
MRS SCHOLZ (_irritated_).
Public-domain text, read in full here on John Shaqi.
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