The Cream of the Jest: A comedy of evasionsCabell, James Branch
Science
The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
Local Laws of Nephelococcygia
THERE was no continuity in these dreams save that Ettarre was in each of
them. A dream would usually begin with some lightheaded topsyturviness,
as when Kennaston found himself gazing forlornly down at his remote
feet—having grown so tall that they were yards away from him and he was
afraid to stand up—or lean strangers carefully and gruesomely explained
the importance of the task, set him by quoting fragments of the
multiplication tables, or a mad bull who happened to be the King of
Spain was pursuing him through a city of blind people. But presently, as
dregs settle a little by a little in a glass of water and leave it
clear, his dream-world would become rational and compliant with familiar
natural laws, and Ettarre would be there—desirable above all other
contents of the universe, and not to be touched under penalty of ending
all.
Sometimes they would be alone in places which he did not recognize,
sometimes they would be living, under the Stuarts or the Valois or the
Cæsars, or other dynasties long since unkingdomed, human lives whose
obligations and imbroglios affected Horvendile and Ettarre to much that
half-serious concern with which one follows the action of a romance or a
well-acted play; for it was perfectly understood between Horvendile and
Ettarre that they were involved in the affairs of a dream.
Ettarre seemed to remember nothing of the happenings Kennaston had
invented in his book. And Guiron and Maugis d’Aigremont and Count
Emmerick and the other people in _The Audit at Storisende_—once more to
give _Men Who Loved Alison_ its original title—were names that rang
familiar to her somehow, she confessed, but without her knowing why. And
so, Kennaston came at last to comprehend that perhaps the Ettarre he
loved was not the heroine of his book inexplicably vivified; but,
rather, that in the book he had, just as inexplicably, drawn a blurred
portrait of the Ettarre he loved, that ageless lovable and loving woman
of whom all poets had been granted fitful broken glimpses—dimly
prefiguring her advent into his life too, with pallid and feeble
visionings. But of this he was not ever sure; nor did he greatly care,
now that he had his dreams.
Public-domain text, read in full here on John Shaqi.
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