The Dances of Death: Through the Various Stages of Human Life: Wherein the Capriciousness of that Tyrant is Exhibited
Philosophy
The Dances of Death: Through the Various Stages of Human Life: Wherein the Capriciousness of that Tyrant is Exhibited
Dance of death; Dance of death in art
This ill-fated man attacks in a forest, a country girl returning from
the fair, and is endeavouring to take from her what she is bringing
from thence; but, fortunately for the poor woman, Death comes to her
assistance; and laying hold of the Robber, prevents, probably only by a
few days, the hangman, who would have made him bear on a scaffold the
punishment due to his crimes.
[Illustration: _Quasi agnus lasciviens & ignorans, nescit quod ad vincula
stultus trahatur. Prov. vii. 22._]
PLANCHE XXXVIII.—LE VOLEUR DE GRAND CHEMIN.
Ce malheureux attaque dans une forêt une paysanne qui revient de la
foire, & veut lui enlever ce qu’elle en rapporte; mais heureusement pour
la pauvre femme, la Mort vient à son secours, & en se saisissant du
Voleur elle ne prévient peut-être que de quelques jours le bourreau, qui
lui auroit fait porter sur un échaffaut la peine de ses crimes.
PLATE XXXIX.—THE DRUNKARDS.
Debauchery, and, above all, excess in drinking, undoubtedly furnish Death
with powerful arms for committing his ravages. Here he appears pouring
the wine in great abundance into the throat of one of these Drunkards,
and the most beastly drunkenness reigns in these disgusting orgies.
[Illustration: _Et nolite inebriari vino, in quo est luxuria. Eph. v.
18._]
PLANCHE XXXIX.—LES YVROGNES.
La débauche & surtout les excès de la boisson fournissent sans cesse à la
Mort des armes puissantes pour exercer ses ravages. On la voit ici qui
entonne le vin à grands flots dans le gozier d’un de ces Yvrognes, & la
plus grossière crapule préside à cette dégoûtante orgie.
PLATE XL.—THE GAMESTERS.
Here is another company well worthy of the former; and the fate of
those who compose it is nearly the same; it only differs in this, that
the Devil and Death are disputing which of them shall carry off the
losing Gamester. It is a contest, if we may say so, frightful as well as
ludicrous, so much the more so, that the second Gamester, interesting
himself in the fate of the first, is addressing fervent prayers to the
Devil on his behalf; but the third is doing still better, taking the
advantage of this moment of trouble and terror, to gather in the money
that is lying on the table.
[Illustration: _Quid enim prodest homini, si mundum universum lucretur,
animæ vero suæ detrimentum patiatur? Matth. xvi. 26._]
PLANCHE XL.—LES JOUEURS.
Voici une autre compagnie bien digne de la précédente; aussi le sort de
ceux qui la composent est-il à peu près le même; il ne diffère qu’en ce
que le Diable & la Mort se disputent qui des deux emportera le Joueur qui
a perdu. C’est un combat, s’il est permis de le dire, aussi effroyable
que comique, d’autant plus que le second Joueur, s’intéressant au sort
du premier, adresse de ferventes prières au Diable en sa faveur; mais
le troisième fait encore mieux, & profite de ce moment de trouble &
d’effroi, pour ramasser l’argent qui se trouve sur la table.
PLATE XLI.—THE OLD MAN.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account