This pride of hers in housekeeping was part of her inheritance, of the
civilization of her land and people: it was a little separate dynasty of
itself. Often as the years had gone by he had been thankful that she
could thus far find compensation for larger disappointment; it helped to
keep her a healthy woman if it could not render her a happy wife. Near
the sugar and the flour she could perhaps three times a day realize
small perfections; she could mould little ideals and turn them out on
the shelf and verify them with a silver spoon: an ideal life in the
pantry for a woman who had expected an ideal life with him in library
and parlor and bedroom and out in the world. It was all as if she sat at
the base of Love's ruined Pyramids and tried to divert her desolation by
configuring ant hills.
And he was well aware that this pride of housekeeping was the least of
all the prides that grouped themselves around that central humiliation
of wifehood. He had sometimes thought that if, after her death, over her
were planted a weeping willow, mere nutritive pride in her dust would
force the boughs to reverse their natural direction and shoot upward as
stiff as a spruce.
The dining-room, in the old-fashioned Kentucky way, was richly carpeted;
but the moment she set her foot within it, he could trace her steps as
unerringly as though she had been shod with explosives. Likewise she
sang to herself a good deal: (he had long ago diagnosed that symptom of
nervous self-consciousness).
When he had married her, voice and piano had been one of the resources
he thought he would hold in reserve for the emptying years; music would
fill so much rational silence. It was one of his semi-serious
declarations that only two people more or less out of their senses could
keep on talking to each other till death forced them to hold their
tongues. But with tragic swiftness and sureness a few years after their
marriage the music stopped, the piano was shut.
More than that terminated. After two children were born, there were no
more: that profound living music came to an end also. And perhaps one of
the deepest desires of his nature was for that kind of long union with
his wife and for many children: perhaps the only austerity in him was an
austere patriarchal authority to people the earth and to bequeath the
inheritance of it to his seed.
When she had ceased singing to him soon after marriage, she had begun to
sing to herself--habitually during this half-hour of proximity. The
sound took up a fixed abode in his ear as there is a roaring in a
seashell. He could hear it miles across the country; it was the loudest
sound to him in this world--that barely audible self-conscious singing
of his wife.
Public-domain text, read in full here on John Shaqi.
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