The Fables of La Fontaine: Translated into English Verse by Walter Thornbury and Illustrated by Gustave DoréLa Fontaine, Jean de
General
The Fables of La Fontaine: Translated into English Verse by Walter Thornbury and Illustrated by Gustave Doré
La Fontaine, Jean de
Fables, French -- Translations into English
La Fontaine was now more than forty years of age, and, with the
exception of his frigid imitation of Terence's comedy, and his
admirable elegy on Fouquet, he had produced nothing which proved
that he was anything more than a pleasant and elegant versifier. We
must remark, however, that he obtained at this time the position of
Gentleman-in-Waiting to the Dowager Duchess of Orleans, widow of
Gaston, brother of Louis XIII. The little court of the Luxembourg, at
least, if not that of the grand King's, was thrown open to La Fontaine,
and he was received there on terms of the pleasantest intimacy. The
office to which he was appointed was not merely honorary, and it
justified his acceptance of liberalities of which he was not a little
in need. The Duchess of Bouillon also became a patroness of our poet,
whom she had met at Château-Thierry; and he was now engaged by this
princess of easy manners and voluptuous disposition, to apply his
talents to, the imitation in verse of those somewhat too gallant tales
which Ariosto and Boccaccio borrowed from our Trouvères. This advice,
eagerly followed, opened up to La Fontaine a new vein of his genius,
and threw him upon apologue as one of the means of poetic expression.
"Joconde" was his first effort in this style; and this tale, freely
rendered from Ariosto, was the cause of a literary discussion, in
which Boileau broke a lance in the service of his friend with another
imitator against whom La Fontaine was then pitted, and who has since
been forgotten: it was like Pradon being compared to Racine. The
success of this first effort encouraged the author to make fresh ones,
and he speedily produced new tales, as ingenious and indecent as the
first. Such fame as Fontaine acquired by these tales must not be
dilated on; for, although there was nothing in the corrupt ingenuity of
the pleasant poet that was deliberately vicious, and although he was
sincerely astonished that, on account of a few rather free narratives,
he should be accused of corrupting the innocence of youth, we must
nevertheless hold that the accusation was well founded.
Public-domain text, read in full here on John Shaqi.
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