The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar KhayyámJalal al-Din Rumi, Maulana
PhilosophySufism
The Festival of Spring, from the Díván of Jeláleddín: Rendered in English Gazels after Rückert's Versions, with an Introduction and a Criticism of the Rubáiyát of Omar Khayyám
Jalal al-Din Rumi, Maulana
Omar Khayyam. Rubaiyat; Sufi poetry, Persian
'It is the moon, _I ken her horn_,
That's blinkin' in the lift sae hie;
She shines sae bricht to wyle us hame,
But by my sooth she'll wait a wee!
We are na fou, we're no that fou,
But just a drappie in our ee;
The _Cock may craw_, the day may daw,
And aye we'll taste the barley bree!'
We are sorry to believe, notwithstanding Mr. Fitzgerald's rather lame
and halting Apology, that it became, more and more, a confirmed habit;
and that 'willy-nilly' the old Nature-tyrant had it out with him too.
Alas! that it should so often be so with these genial poetic
souls-poets, who in their youth 'begin in gladness, and thereof in the
end doth come Despondency and Madness'! In vain does the much-admired
Translator protest; for again he shows poor parched old Khayyám 'by the
Tavern Door _agape_'!; the Nightingale only pipes to him 'Wine! Wine!
Wine!'; his burden of Clay 'with long Oblivion is gone _dry_'!; his last
hope and only prayer is: 'Ah, with the Grape my fading Life provide, And
_wash the Body_ whence the Life has died'; and his last word and the
final horror is—'an _empty_ Glass!' But he is much more candid in his
'cups' than his ingenious Translator, as all such are wont at a certain
stage to be; for he quite frankly tells us his Rule of Life: 'Drink!—for
once dead you never shall return!' Nay, he takes us, in the most
friendly way and with irresistible candour, into his most intimate
confidence, and informs us how and when, and how deliberately, when he
found out 'the sorry Scheme of Things,' his glorified new Creed and
boasted new Life came about:—
'You know, my Friends, with what a brave Carouse
I made a Second Marriage in my house;
Divorced _old barren Reason_ from my Bed,
And took the Daughter of the Vine to Spouse!'
And what _possibly_ could come of it, but what _did_ come? When it could
no longer be disputed that the Day _was_ dawning, _then_ the Reckoning
_must_ be settled, and his last leering grin is for his drunken
boon-companions, now alas! ignominiously low:—
'Landlady, count the lawin',
The Day is near the dawin';
_Ye're a' blind drunk, boys,
And I'm but jolly fou_.
Hey tutti, taiti,
How tutti, taiti—
_Wha's fou now?_'
O ye self-blinded, neurotic Votaries of the Omar Khayyám Cult, be warned
in time: for be sincerely assured that on counting 'the lawin', Paying
the Reckoning will be all that you will ever get, even at your drunkest,
out of this bankrupt, blustering, purblind Braggart!
To crown all his fatal Candour, Omar insists, as with a sigh of vain
regret, on most truly telling us his own callous judgment of it all,
seeing some faint inextinguishable spark of Conscience still remained in
him, as in the Ancient Mariner:—
'Indeed the Idols I have loved so long
Have done my credit in this World much wrong:
Have _drown'd my Glory in a shallow Cup
And sold my Reputation for a song_!'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account