The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais — John Shaqi
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
_The Countess and the Page remain mute for a
considerable time during which the Page looks
at the Countess with great passion, though
with the bashful side glances natural to his
character--The Countess pretends not to observe
him, and visibly makes several efforts to
overcome her own feelings._)
_Countess._ And--and--so--you--you are sorry--to leave us?
_Page._ Ye--yes--Madam.
_Countess._ (_Observing the Page’s heart so full that he
is ready to burst into tears_) ’Tis that good-for-nothing
Figaro who has frightened the child with his prognostics.
_Page._ (_Unable to contain himself any longer_) N-o-o-o
indee-ee-eed, Madam, I-I-am o-on-only-gri-ieved to part
from-so dear a-La-a-ady.
_Countess._ (_Takes out her handkerchief and wipes his
eyes_) Nay, but don’t weep, don’t weep--Come, come, be
comforted. (_A knocking is heard at the Countess’s chamber
door_) Who’s there? (_In an authoritative tone._)
_The Count speaks without._
_Count._ Open the door, my Lady.
_Countess._ Heavens! It is the Count!--I am ruined!--If
he finds the Page here after receiving Figaro’s anonymous
Letter I shall be for ever lost!--What imprudence!
_Count._ (_Without_) Why don’t you open the door?
_Countess._ Because----I’m alone.
_Count._ Alone! Who are you talking to then!
_Countess._ To you, to be sure--How could I be so
thoughtless--This villainous Figaro.
_Page._ After the scene of the great chair this morning he
will certainly murder me if he finds me here.
_Countess._ Run into my dressing-room and lock the door on
the inside. (_the Countess opens the door to the Count._)
_Enter the_ COUNT.
_Count._ You did not use to lock yourself in, when you were
alone, Madam! Who were you speaking to?
_Countess._ (_Endeavouring to conceal her agitation_)
To--To Susan, who is rumaging in her own room.
_Count._ But you seem agitated, Madam.
_Countess._ That is not impossible (_affecting to take a
serious air_) We were speaking of you.
_Count._ Of me!
_Countess._ Your jealousy, your indifference, my Lord.
{{_Count._ “I cannot say for indifference, my Lady, and as
for jealousy, you know best whether I have any cause.
_Countess._ “My Lord!
_Count._ “In short, my Lady, there are people in the world,
who are malicious enough to wish to disturb either your
repose or mine. I have received private advice that a
certain Thing called a Lover--
_Countess._ “Lover!
_Count._ “Ay, or Gallant, or any other title you like
best, meant to take advantage of my absence, and introduce
himself into the Castle.
_Countess._ “If there even were any one audacious enough to
make such an attempt, he would find himself disappointed of
meeting me; for I shall not stir out of my room to-day.
_Count._ “What, not to the Wedding?
_Countess._ “I am indisposed.
_Count._ “Its lucky then that the Doctor is here.”}}
Public-domain text, read in full here on John Shaqi.
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